Month: June 2019

“All those years wasted fighting each other, Charles… to have a precious few of them back.”

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1981’s X-Men storyline Days of Future Past didn’t actually invent the trope of the Bad Future (Dickens’ A Christmas Carol features one and that’s just the oldest one I can think of) but it may honestly be the single most influential use of that trope. Certainly in comics, maybe in general. If you’ve ever read a story where a character travels back in time to prevent a future with a purple sky, ruined buildings and too many damned robots, chances are it was influenced by this one X-Men story by Chris Claremont. It’s also one of the best-regarded X-Men stories in the franchise’s history, right up there with The Dark Phoenix. But whereas TDP is something of a weird digression, bringing in alien space empires and giant cosmic fire birds, Days of Future Past ties neatly into the X-Men’s recurring themes of prejudice (depicting a future where mutants are close to being wiped out) and the dangers of radicalism (Mystique’s assassination of a senator having brought that future about).

I’m not saying parables on racism can’t have giant planet-eating space-birds you understand, I’m just saying it’s a heavier lift.

Honestly, this one story’s impact has been so huge that if you actually go back and read it it can be a little underwhelming because it’s tropes and story beats have been copied so often elsewhere. Plus, the whole thing is wrapped up in one issue! They didn’t stretch it out across two years and have it cross over with every other Marvel title! What even the hell? But nonetheless it’s a story that is an intrinsically important strand in the X-Men’s big shaggy carpet and it was only a matter of time before the movies took a crack it.

The X-Men franchise is probably the most faithful to its source material of any superhero movie series and I don’t really mean that in a good way. Put it like this, Days of Future Past (the movie I mean) uses an incredibly convoluted time-travel plot to retcon away disastrous decisions made by previous creative teams. Just add a couple of Wolverine clones and Magneto revealing that he faked his death by pretending to be another villain who was pretending to be Magneto and you have the MOST X-MEN THING EVER. So at this point in the franchise the X-Men movies had been rescued from their Brett Ratner/Gavin Hood induced nadir and had been returned to their glorious prior status of being “quite good”.  Brian Singer returned to the director’s chair with a mission; to integrate the previous “quite good” X-Men First Class and The Wolverine with his own X-Men movies thus creating one, unified timeline of acceptable quality.

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Disney Reviews with the Unshaved Mouse #57: Ralph Breaks the Internet

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So occasionally I will actually watch movies made for grownups and recently Ms Mouse and I saw Rocketman, which I can best describe as “Bohemian Rhapsody but not terrible”. Apart from quality the two movies are scarily similar but then I suppose that’s just the nature of musical bio-pics. They all follow the same pattern: You  start out with our protagonist living in grim, post-war Britain, all cobble-streets, glass milk bottles and tuberculosis. You have the unsupportive parents saying “Yew’ll nevah make nuffin o’ yoself” and then the moment where they decide to rename themselves from Rodney McBorningname to Elvis Stardazzle and then fame, fortune, a sleazy manager played by a Game of Thrones alum, rises, falls, break-ups, breakdowns and a moment where the protagonist’s oldest and dearest friend from childhood reads them the riot act.

What does this have to do with Ralph Breaks the Internet? Because if the Disney canon was a musical biopic, this movie would be the point in the story where Elvis Stardazzle is slumped over a table in a trashed mansion covered in a thick layer of cocaine and groupie juice, having driven away all the people who ever loved him with his massive ego and unwillingness to see how far he’s gone off the rails.

Guys, I’m not going to toy with you on this. I fucking hate this movie. My brother, the Unscrupulous Mouse, declared this the worst Disney canon movie since Dinosaur and, while I can’t agree, I really want to.  Can I sit here and tell you that animation is worse than Chicken Little? No. Can I tell you that it’s worse directed than Home on the Range? Well…I mean…no. No I can’t do that. What’s wrong with Wreck It Ralph 2 isn’t anything to do with the animation or direction or voice cast but with an attitude of insufferable all-encompassing smugness that sets me little mouse teeth right on edge. Everything from that FUCKING title to the instant datedness of the references to the obnoxious “what you gonna do about it?” reminders of the Disney corporation’s near cultural stranglehold on every nook and cranny of pop culture. I hate it. I hate this. I hate what Disney’s become.

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Jeeves and the Brexit Spirit

I don’t know if you’ve ever had the experience of having a perfectly topping morning yanked out from under you so hard it makes your teeth rattle? Only the other day I awoke to find the sun beaming down on God’s creation, the birds outside the window giving it their best and Jeeves appearing by my bedside with a tray of eggs, bacon, buttered toast, morning paper and a rather promising looking pot of coffee. In a word, everything that would make a chappie think that this day was going to be a good ‘un, possibly a great ‘un.

But then, just as I had opened negotiations with the bacon I caught a glance of something in the newspaper which caused me to inhale so sharply that before I knew where I was the bacon was bouncing around my left lung, no doubt in a state of some anxiety. Jeeves, ever with the keen eye, noticed the young master’s distress and applied a couple of hearty, congratulatory smacks to the upper posterior which dislodged the misplaced breakfast and after a few minutes of fluent coughing I was in a decent enough state to tell him that it was too bally much.

“Jeeves!” I said “It’s too bally much!”

“Sir?” he said, concerned and, I fancy, deeply moved by the depth of my passion.

“They’ve only done it again!” I wailed “Compared me to another one of these dashed brexiteers!”

I showed him the offending article, which made the case that one of these coves (Reese-Mogg, Jonson, Farage, Smithering-Finnickhan, I forget which) was practically your humble narrator’s identical twin and implying that there was no worse insult that could be levied and still printed in a respectable newspaper. Well, I mean to say, what?

Jeeves seemed furious. Practically incandescent with rage. By which I mean, I fancied I saw him raise his eyebrow a sixteenth of an inch.

“Most disturbing, sir.”

“There’s nothing for it, I’ll have to sue!”

“I would advise against that, sir. Cases relating to libel rarely result in favourable outcomes.”

“But dash it, I have to do something!”

Those who know me will tell you that Bertram is not thin-skinned. Far from it. In fact I rather think that, when it comes to skin, I yield to no animal except perhaps a particularly resilient rhinoceros. It could scarcely be otherwise with the family that Providence has seen fit to afflict me with. Well do I remember the time my Aunt Dahlia recounted how she had once saved me from choking as a small child and how she now considered that, not a crowning moment of heroism, but one of the great blunders of a long life. And she, I remind you, being the Aunt who actually likes me.

But I mean to say, what’s a lad to do when one’s very name has become an epithet and short-hand for the nation’s premier blisters? Hath not a Bertram eyes? If you tickle a Wooster, does he not tell you to pack it in and stop acting like an ass? I say my name has been dragged through the mud quite enough, and if no one shall speak in Bertram’s defence, then Bertram must. So here it is.

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