Amblimation

An American Tail: Fievel Goes West (1991)

Hey everybody. Merry Christmas, Happy Hanukkah and for all you other religions…um…good luck with whatever you got goin’ on right now. Keep on truckin’. Yes it’s the night before Christmas, and despite belonging to a species that traditionally is known for not stirring at this time of year,  I’ve decided to review…
"Mouse...Moooooouuuuuse..."

“Mouse…Moooooouuuuuse…”

“Jacob Marley?”

“Jacob Marley?”

“I wear the chain I forged in life! Link by link! Yard by yard…”

“I wear the chain I forged in life! Link by link! Yard by yard…”

“Stop. Stop. No. Look, this is not going to be a Christmas themed review. We’re not doing the Christmas carol thing. Sorry.”

“Stop. Stop. No. Look, this is not going to be a Christmas themed review. We’re not doing the Christmas Carol thing. Sorry.”

“But it’s a tradition…”

“But it’s a tradition…”

“Yes. One that’s been done to death. Sorry, not happening. Get lost.”

“Yes. One that’s been done to death. Sorry, not happening. Get lost.”

“Dude, I’m a ghost, you’re going to have to do better than “Get lost!”

“Dude, I’m a ghost, you’re going to have to do better than “Get lost!”

“Sigh. AVAUNT THEE FOUL SPIRIT! RETURN TO THE NETHERWORLD FROM WHENCE THOU CAME!”

“Sigh. AVAUNT THEE FOUL SPIRIT! RETURN TO THE NETHERWORLD FROM WHENCE THOU CAME!”

“Oooh, nice. “Avaunt”. That takes me back.”

“Oooh, nice. “Avaunt”. That takes me back.”

Right. So. Today’s movie is An American Tail 2: Fievel Goes West, a sequel to a Don Bluth movie made without the imput of Don Bluth. Now, “Sequel to a Don Bluth movie made without the imput of Don Bluth” is a sub-category of film with a slightly lower degree of prestige and respect than “Uwe Boll video game adaptation” or “hobo snuff film” and this film’s reputation is not exactly sterling.
40! There are Police Academy movies with higher scores than that!

40%?! There are Police Academy movies with higher scores than that!

So, following the stunning success of An American Tail (which, I remind you, was a big freaking deal) Stephen Spielberg wanted a sequel to be the first production of his new animation studio, Amblimation. Bluth by this time was based in Ireland and was working on The Land Before Time with Sullivan Bluth so Spielberg had to bring in a new team of animators under the direction of Phil Nibbelink and Simon Wells. Amblimation is a weird little footnote in the annals of American animation history, tapping out after only three films (this one, We’re Back and Balto). I haven’t seen Balto and I do NOT care for We’re Back...
IT DID.

IT DID.

…but I think Amblimation could have been a real contender under different circumstances. Why? Because, if nothing else, the animation in these movies was SMURGES. Let’s take a look.

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