Batman Movies

“Another Batman killed, eh? I hope that this is the last of them.”

Hello everyone, and welcome to a new series here on Unshaved Mouse where I review every Batman movie except for the ones that I’ve already reviewed. Well, most of them. I mean, some of them. Look, the character’s been featured in over eighty films at this point and I have a life, allegedly. But let’s kick this off with a thematically appropriate question. Riddle me this! What is the first superhero movie?

Well, not to get all Bill Clinton on ya, but that really depends on your definition of “movie”, “superhero”, “first” and “the”. You can argue, and many do, that the superhero genre has always been with us. That Superman and Batman are just the latest iterations of characters like Enkidu, Herakles, Thor and CĂșchulainn. At the opposite end of that maximalist take is the concept that the first superhero was Superman, because he was the first to embody three fundamental elements; a secret identity, superhuman powers and a comic book origin. And between these two poles there are characters that are kinda liminal, sort of superheroes and sort of not. Characters like Zorro and The Shadow. Pulp heroes? Superheroes? It’s not entirely clear. I know one guy who claimed that the first true superhero was Baroness Orczy’s 1905 creation the Scarlet Pimpernel. And since that guy was frickin’ Stan Lee. Yup. Good enough for Mouse.

If so, that would make the now-lost 1917 silent film The Scarlet Pimpernel the first superhero movie.

Well, clearly all the pieces are in place.

So, (if you’re willing to stretch your definitions), the superhero movie genre is over a century old, and even pre-dates superhero comics. And yet, if you ask the average person what the first superhero movie is, what do you think they’ll say? 1978’s Superman? The 1966 Batman? Why has around half of the genre’s history been essentially memory holed?

Well, part of the problem is that most superhero cinema prior to the 1950s came in the form of serials. Serials were essentially the precursors to TV shows. A cinema would screen a new episode every week. Each episode was typically between 10 and 30 minutes long, low-budget and would end with a cliff-hanger to get you back in next week. In the forties, many famous superheroes were adapted to the form, including Captain Marvel, Captain America, Superman and, of course, Batman.

The second reason why this era of superhero cinema is so obscure is that they were all mostly terrible.

Okay, let me walk that back a little. They are products of their time. Because of the nature of the format, serial plots tends to cycle in place for around ten episodes before abruptly sprinting to the climax. This makes them, as you might imagine, not exactly bingeable.

And yet, I feel like Colombia’s 1943 picture The Batman should have a bigger pop culture presence. It’s the first Batman film, after all. And it was influential, in its way. It created several hugely important parts of Batman’s mythos. And the sixties series was arguably more an adaptation of this serial than the actual comic it claimed to be based on. And yet, if fans even know about it it’s usually “that weird old Batman movie that’s super racist”. And you know what? That’s unfair.

It’s not just racist. It’s also very boring.

And look, I’m just going to say this up front. I’m not doing my usual scene by scene analysis on this one. Why?

BECAUSE THIS BEAST IS THREE AND A HALF GODDAMN HOURS LONG

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