Month: November 2020

Perfect Blue (1997)

Half a decade ago I reviewed a charming little animé named Tokyo Godfathers from legendary director Satoshi Kon and about as representative of his oeuvre as Interdimensional Cable 2 is of the career of Werner Herzog.  True, Kon only directed four films in his tragically short life, but Tokyo Godfathers is definitely the outlier of those four. Perfect Blue, conversely, was Kon’s breakthrough first feature and is probably the film that he is best known for.
In the wake of Akira  in 1988, the nineties saw a tsunami of animé arriving in the West. There had been Japanese animation on Western screens long before that of course, but those had been shows that either fit into the Western preconception of animation as being for children (Astro Boy, Speed Racer) or could be made to fit with judicious editing and a wacky robot sidekick (Voltron).
By contrast, in the nineties, animé was out and proud in all its violent, cool, mothers-lock-up-your-daughters-Mr. Octopus-is-single-and-ready-to-mingle weirdness and was starting to bump hard against the deeply ingrained preconceptions of animation in the West. There were a lot of concerned thinkpieces being published, a lot of ominous local news segments beginning with the words “They call it “AH-NEE-MAY”. My first exposure to Perfect Blue was in my local video rental place where they used to publish a weekly magazine advertising the upcoming releases.

“Then, I’d ride the trolley for tuppence.”

In this magazine they had a whole dedicated section for the new animé releases, and I remember Perfect Blue being advertised with the usual breathless ad copy but also a disclaimer at the end saying “please note this movie is not for children”. Back then “animation=harmless fun for my innocent little angels” was still a pretty hard-wired instinct in your typical Western parent and Xtra-vision were obviously trying to head off any complaints from people who’d inadvertantly subjected their kids to the kind of childhood trauma that usually results in a Batman villain.  Point is, Perfect Blue was kind of the poster child for why animé was an entirely different beast than Western animation, not simply for its content but also for its sophistication, gritty adult storytelling and reputation as the “scariest animé ever made”.

Only if you’ve never seen “Cardcaptor Sakura”.

Now, as any comics fan will tell you, anything from the nineties that claimed to be “gritty and mature” at the time should be sealed in an airlock until all the scans have been completed because there is a damn good chance that it’s held up about as well as the general public’s trust in the polling industry. Plus, “shocking” films tend to look increasingly tame as time goes by. So let’s take a look at Perfect Blue and see if it still deserves either of those descriptions.

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Over the Garden Wall: The Unknown

Wha’ Happen’?:

Beatrice flies through a blizzard, desperately searching for Greg. She sees him ahead, standing in a snowy clearing with the Beast. Suddenly, she is blown away by a mighty wind.

The Beast asks Greg to bring him a spool of silver thread and a golden comb. Greg brings him a cobweb and a honeycomb, demonstrating the kind of lateral thinking that’ll probably get him a job in Google down the line. For his final trial, the Beast tells him to lower the sun into a teacup. So Greg simply puts the teacup on a tree stump and waits for the sun to set so that it looks like its going into the cup from the right perspective.

The Beast is apparently satisfied by this transparent con job and tells Greg to wait in the cold until everything starts feeling real warm and comfortable.

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Over the Garden Wall: Into the Unknown

Wha’ Happen’?:

We begin our episode in a strange and mysterious wonderland full of great music and childlike whimsy and wonder.

The Nineties.

Wirt is pacing his bedroom nervously, having just created a mix-tape for Sara in the hope that she will immediately consent to be his wife and tend his farm (as was the custom in the nineties) After chickening out and unravelling the tape, he finally mans up and repairs the tape. He then makes a Halloween costume out of a re-purposed Santa Claus hat and a repurposed Civil War era jacket.

Look at the freakin' detail on this cup, man | Over the garden wall, Garden wall, Cartoon

Finally resolving the mystery of why he’s dressed like an idiot.

Of course, this doesn’t actually answer the question of what exactly he was dress as for Halloween. My guess is that he’s going as General Gandalf Ulysses Mayberry, commander of the 11th Ohio Wizards.

Known to his men as “Ol’ Spellface”, he was eaten by a dragon at Gettysburg.

Wirt heads over to the school football field and watches Sara through the fence. Sara is currently dressed as a giant bee as she is the school mascot.

I don’t think this is why Wirt’s into her, but no judgement either way.

Greg, who’s apparently been out trick-or-treating alone (ah, the days before 9/11) and we finally learn what he was dressed as: an elephant.

greg over the garden wall - Google Search | Over the garden wall, Garden wall, Garden wall art

Ohhhhhhh…

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Over the Garden Wall: Babes in the Wood

Wha’ Happen’?:

While Beatrice searches for the boys, Wirt, Greg and the Frog sail down a river in an outhouse. Things are looking pretty grim. The Unknown has gone from Summer Autumnal to Winter Autumnal, Wirt has slipped into a deep depression and worst of all they can hear the Beast singing opera some ways behind them. Or, as Wirt puts it; “The obsidian cricket of our inevitable twilight, singing our requiem.”

Sidenote: Despite blogging for eight years, I still thought it was a good idea to look for this gif by googling “Wanking Gif”. I got everything I deserved.

Wirt says that it’s Greg’s fault that they’re trapped here and that he’s given up all hope that they’ll ever make it home. Greg asks if that means he’s the leader now and Wirt says “Whatevs” and Greg promises Wirt that he’ll be a good leader and won’t let him down because the kid’s a little champ.

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Over the Garden Wall: The Ringing of the Bell

Wha’ Happen’?:

So the…I feel weird calling Wirt, Greg and Beatrice “our heroes” all the time. I really should come up with a name for them. The Unknown Wanderers? The Frog Squad? The Autumnal Avengers? Greg and the Gregettes? What am I saying, the answer is obvious.

So Greg and the Gregettes have split up with Wirt and Greg having ditched Beatrice after her trying to sell them into indentured servitude to an evil witch (God some people are so sensitive).

They’re ambushed by the Woodsman who tries to warn them the Beast is after them after the events of Songs of the Dark Lantern but they of course think that he’s the Beast…or a lunatic with an axe which either way, y’know? So they flee until they come to a creepy cottage in the middle of the woods and hide inside.

Inside the cottage they find a barrel of the mysterious black turtles that have been cropping up all over the forest. The boys are discovered by a thin, pale servant girl named Lorna. They hear a noise outside and Lorna nervously whispers at the boys to hide in the turtle barrel so that they won’t be found by “Auntie Whispers”.

“How’d you do I, see you’ve met my, faithful HANDY man…”

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