Martin Scorsese supposedly coined the expression: “one for them, one for you”, meaning you do the movies the studio wants you to do in order to do the movies you want to do. The Dark Knight Rises is, famously, one of the most open and avowed “one for them” movies in recent Hollywood history.
Nolan didn’t want to do it (especially after Heath Ledger’s tragic death) and never bothered to hide the fact that this was the hoop he had to jump through to get Warners to pony up for Inception.
But you know what? It’s a myth that great art only comes from passion projects. Plenty of good and even great films have come from people who just showed up to work that day. And look, if the price we had to pay for every Inception was a Dark Knight Rises, I’d take that deal.
But there are problems with this movie. And (bizarrely, given this is the exact same writing team that gave us the fucking GOAT of a script that was The Dark Knight) pretty much all those problems begin and end on the page.
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