I had the absolute pleasure of sitting down for a chat with Nick and Bex on the Unlocked Tomb podcast where we chatted about Knock Knock, Open Wide, When the Sparrow Falls, writing, horror, Irish folklore, my upcoming books and…honestly just about everything. This was one of those interviews that felt more like just hanging out with chill people and shooting the shit, so if you enjoy listening to me rambling about every subject under the sun (and, I mean, you’re HERE) then stick it in your ears.
I don’t actually think it’s possible to be a little boy between the ages of 4 and 8 who is aware of Superman and not a fan of Superman. It’s like Star Wars or Transformers. You see this:
And something in your little boy soul just chimes.
So I don’t think there was ever a time where I wasn’t a fan of Superman but as I’ve gotten older I’ve certainly become more of a fan. And I have to say, on behalf of my tribe, it’s a pretty good time to be an enjoyer of Clark Kent. James Gunn is going to be bringing us a new Superman movie next year, both Superman and Action Comics have been enjoying high-quality, well-received runs and My Adventures with Superman is, in my humble opinion, the single best animated depiction of the character since the Fleischer Shortsof the forties. Yes. Better than Superman the Animated Series and Justice League Unlimited. No, I will not take that back.
My point is things are good now. We’ve come along way from…y’know.
Fuck. There really was a time there when the guy most responsible for shaping Superman’s presentation to the wider world was Zack Snyder.
Future generations won’t believe it. But I was there. It happened.
Alright, let me pull back a little bit. I know you’ve probably clicked on this hoping for some classic, old-school mid-2010s internet rage with all manner of inventive profanity and performative outrage and I won’t lie, I’m not too proud to dance. BUT I want to draw a line in the sand here and make one thing clear.
I don’t hate Zack Snyder either personally or artistically. He is, by all accounts, a lovely guy and the loyalty that he inspires in the actors who have worked with him is genuinely touching. I can’t say I understand the devotion that fans of his movies have to his work but I don’t for a minute doubt its sincerity. People do genuinely, passionately adore his films and respond to them and that can’t be ignored. This is not some studio hack. This is a man who produces works that people respond to strongly, both positively and negatively. This is an artist.
He should not be allowed near Superman. Ever.
He does not understand the character and he does not understand why he matters.
I realise that this is going to come across as just…foam-flecked fanboy ranting but please hear me out. This character is important in a way that very, very few fictional characters are or ever will be. Remember what I said about how every little boy just, instinctively loves Superman?
Okay. Now you may have heard Superman described as a power fantasy for little boys. And to that I say “yes, absolutely he is” and also “why the fuck are you saying that like it’s a bad thing?”
If Superman is a fantasy, what exactly is the fantasy?: “I want to be an all-powerful demi-god so that I can…devote every free moment of my time to protecting and helping those who have less power than me”?
So…you have generations of young boys who will grow up in a world where they will have disproportionate power (of many kinds) over others being influenced by this character and his worldview, modelling behaviours of selflessness, compassion, kindness and justice. You see why that might be, I dunno, a very, very good thing?
Now here is a quote from Zack Snyder (he’s actually responding to criticism about Batman killing people in his movies but it’s also relevant when discussing his approach to Superman):
“Once you’ve like lost your virginity to this f**king movie and then you come and say to me something about ‘oh, my superhero wouldn’t do that’, I’m like ‘are you serious?’ because I’m down the f**king road on that.
“It’s a cool point of view to be like: ‘My heroes are still innocent. My heroes didn’t f**king lie to America. My heroes didn’t embezzle money. My heroes didn’t commit any atrocities.’
“That’s cool, but you’re living in a f**king dream world, okay?”
And yes, I know juxtaposing that quote with that dialogue from What’s So Funny About Truth, Justice and the American Way has been done so many times it’s cliché at this point but…I wanted to do it and it made me feel good and it’s my blog so there.
Zack Snyder claims that his approach to comics is rooted in Alan Moore’s Watchmen and sure, Moore did deconstruct the tropes of comic books and created superheroes who were deeply, deeply flawed people. But you know what he didn’t do? He didn’t try that shit with Superman.
Moore didn’t write a lot of Superman stories but the ones he did featured some of the very noblest, most selfless versions of the character.
Moore gets what makes Superman important, and that it is not something to fuck with.
Hell, even Mark Millar and Garth Ennis, the two patron saints of the Shitty Edgelord school of superhero comics. You give them Superman, this is how they write him:
Superman is so fucking good the guy who wrote The Boys can’t hate him.
Anyway.
Hello, welcome to my regular series of movie reviews where I talk about Batman.
The Walt Disney Corporation is very good at some things, and very bad at others. And, personally speaking, the one thing they’ve always been worst at is making me like the Walt Disney Corporation.
I love the movies. I hold them dear to my heart. But whenever I see one of those corporate promotional videos where everyone is wandering around Disneyland in a state of wide-eyed joy like they’re the first good souls to be welcomed into God’s kingdom I come out in hives. You know what I’m talking about.
CHARACTER 1: It’s so incredible that [text from marketing press release announcing newest venture] is finally here!
CHARACTER 2: Woooooooooow…
I hate it when Disney tries to sell itself because it always feels so…the vibes are wrong. I don’t know how else to describe it. It’s probably why the Oh My Disney sequence in Ralph Breaks the Internet is still my least favourite few minutes in the entire canon. It’s also probably the reason why I steered clear of Once Upon a Studio for so long, and why it took me two tries to actually watch it all the way through. And that’s because it begins like this:
“It’s so incredible to think that Disney founded Walt Disney animation 100 years ago today!” “Wooooooow.”