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Don Bluth Reviews with the Bald Mouse #503: An American Tail

DISCLAIMER: This blog is not for profit. All images used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material.

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My my. Has it really only been ten years since I began my epic quest to review every movie ever made by the greatest, most influential figure in all of American cinema?

The Master.

The Master.

And what a decade it has been. When I started this blog in 2003 Al Gore had just begun the third year of a momentous first term, the euro  became officially adopted as the world’s only currency and Iraq was not invaded.

Yeah I...I don't know why I felt the need to remind your of that.

Yeah I…I don’t know why I felt the need to remind you of that.

Little did I know then that I was starting what would go on to become the most popular blog in history. And yet here I am a decade later, millions of fans, a vast personal fortune and a statue on the moon. We’ve had good times, haven’t we? Remember when I paid for every reader of this blog to go on an all-expenses paid trip to Bluthworld, Florida?

Man those were some creepy mascots.

Man those were some creepy mascots.

And I owe it all to one man. One legend. The one and only Don Bluth. Thanks Don.

Hey, don't mention it  Mouse.

Hey, don’t mention it Mouse. It was my pleasure.

Wow, what a nice guy. So I thought that for this special anniversary I’d review one of Don’s earlier, lesser known works: An American Tail. Why this one? Well, granted, it’s not as influential as his other movies. It didn’t reignite interest in Elvis Presley like Rock a Doodle, or restore the Russian monarchy like Anastasia or unite all of humanity under a single canine worshipping religion like All Dogs go to Heaven.

God, I hope the next Pope isn't a Rottweiler.

Sidenote: Isn’t the new pope just freakin’ adorable?

But An American Tail occupies an important part of  bluthistory because this was the first bluthimation to be a major financial success and so paved the way for all the world changing masterpieces that were to follow. It also represented a major personal victory for Don, as this is the movie that once and for all finished off the…let me see if I’m pronouncing this right…”Dies Nee” studio? Sorry, that’s Disney.  Who were Disney? Well, I’m not surprised you don’t know. You’d probably have to be a hardcore Bluthimation fan to have heard of them but back in the day they were actually considered a pretty big deal. And yeah, some of their earlier works were really quite impressive, some almost rising to the standard of modern Bluthimations. Nowadays however they’ve faded completely into obscurity and are only really known as the studio that gave Don Bluth his start. Bluth left the studio in 1979, utterly disheartened with how the Disney studio was being run and the decline in the quality of their Bluthimated films. He left and formed Don Bluth studios and in quick succession released two films, the sublime and critically acclaimed The Secret of NIMH, and the box-office smash that was An American Tail. Upon which, the Disney studio rolled over like a dead dog and was quietly consigned to history. Some Bluthimation historians have speculated that if Disney hadn’t simply folded at the first challenge to their monopoly, that they might actually have had the talent and resources to push back, up the quality of their movies and maybe even experience some kind of “renaissance” and really give Bluth a run for his money. But personally I think that’s horseshit. Pure horseshit!

Hey buddy, gotta quarter?

Hey buddy, gotta quarter?

Sure thing. Here. Get yourself something to eat and find someplace warm.

God bless your sir.

Bless you, sir.

So let’s take a look at An American Tail.

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Disney Reviews with the Unshaved Mouse #20a: Bedknobs and Broomsticks

DISCLAIMER: This blog is not for profit. All images used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material.

 

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“It’s grand to be an Englishman, in 1910/ King Edward’s on the throne, it’s the age of men!”

George Banks, Mary Poppins 1964

“When you set aside your childhood heroes
And your dreams are lost up on a shelf
You’re at the age of not believing
And worst of all, you doubt yourself”

Eglantine Price, Bedknobs and Broomsticks, 1971

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Well, you couldn’t really blame them.

Mary Poppins had been such a phenomenal hit for Disney that it was only a matter of time before they tried to recreate that success. The two films have a great deal in common, Robert Stevenson directed both, David Tomlinson plays the father role, there are scenes mixing animation and live action, the Shermans are back on song duty (the last time they’d work on a Disney film until The Tigger Movie thirty years later). Hell, Julie Andrews was even offered the part of Eglantine Price but turned it down. Considering how badly she was typecast after Mary Poppins and Sound of Music, that was probably the right choice. Instead, the part went to Angela Lansbury, who ironically was one of the actresses considered to play Mary Poppins which leads me to believe that Walt Disney only knew two actresses.

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Disney Reviews with the Unshaved Mouse #18a: Mary Poppins

DISCLAIMER: This blog is not for profit. All images used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material.

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As we move into December it’s only natural to take stock of everything that’s happened in the last year and I gotta say…2012 was very, very good to me. I married the love of my life, moved into a new house, had a beautiful daughter, and after years of smacking my head against a brick wall my writing career is finally starting to show signs of momentum. Oh yeah, and I started a blog that has done better than I could ever have envisaged. I thought this would just be me typing away every week being indulged by a few of my Facebook friends. Now I’m checking the stats every day and wondering why I’m getting fewer hits from the Philippines than usual.
They never forgave me for killing off Sarcastic Map of Wartime Europe.

They never forgave me for killing off Sarcastic Map of Wartime Europe.

So yeah. 2012 was a very good year. It was like that song by Frank Sinatra. You know the one.“My Way”.
Having said that, I think it’s pretty safe to say that if I live to be a hundred I will NEVER have as good a year as Julie Andrews did in 1965. Her first ever movie, Mary Poppins,was the highest grossing film of the year and received a record breaking 13 Oscar Nominations, winning five. Oh yeah, and the second highest grossing film that year was a little picture called The Sound of Music which would actually go on to gross even more than Gone with the WindIn case you’re curious, the third and fourth most successful movies that year were Goldfinger and My Fair Lady. Yeah. 1965 was a GOOD year for movies, and an absolutely phenomenal one for Julie Andrews.