Month: December 2023

“There are the hands that made us. And then there are the hands that guide their hands.”

So, how did we get here?

The MCU fell from grace the way Hemingway’s Mike Campbell went bankrupt, slowly and then all at once.

I think we all felt it, didn’t we? At some point this year, probably in the summer when Barbenheimer was in full swing, there was a moment when all of us who had still not disembarked from the hype train took a look at the MCU and said “nah, I’m done”.

And you probably have your own explanation for why that is. Endgame was the peak and it’s all been downhill since then. Superhero fatigue. Bad writing. Too woke. Not woke enough. Too much CGI. Martin Scorsese dropping truth bombs. The pandemic. Whatever.

But ultimately, I think the real reason was just…time. The studio execs currently running around trying to figure out why audiences aren’t flocking to their superhero movies anymore are like surfers wondering why the tidal wave they were riding faded away into the ocean.

Guys. It was a wave. That’s what they do.

Granted, it was a wave like nothing we’ve ever seen before. Depending on when you consider the modern age of superhero movies to have begun (the first X-Men movie maybe?) we’ve been riding this wave for over twenty years with some of the biggest box-office numbers of all time. But, it really was just a bigger version of every other Hollywood trend, be that “make everything like the Matrix” or “make everything like Transformers” or (if you want to go old school) “make everything a Western”. And trends never last. That’s why they’re called “trends”.

And I’ve been burned enough times before to know not to make any big predictions. Maybe these last two years were just a brief blip in an unbroken streak of cinematic dominance that will stretch on to the death of the universe. But, right now, in the waning hours of 2023 it sure feels like the MCU is done. And I’m okay with that. And I don’t regret my time with it as long as I can pretend Thor 4 doesn’t exist.

Because, even if we got nothing else of value from this series of films, James Gunn got to make the Guardians trilogy, and I wouldn’t deny him that for the world.

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The summer of the soul in December

I swear to God, I wrote the end of year wrap up for 2022 last week, time is going too fast make it stop make it stop…

Ahem. Sorry about that. Anyway, how are you all? How’s every little thing? Merry Christmas.

2023 was…a year. Ups and downs. Highs and lows. Swings and roundabouts.

October saw the release of my second book, Knock Knock, Open Wide to polite, restrained acclaim. I must take the opportunity now to thank Alex Grecian and Brian Evenson for kindly providing blurbs, and oh my God, BIG thanks to Clay McLeod Chapman who was an absolute LEGEND promoting the book online. You should check out his novel What Kind of Mother, it’s a heartbreaking story of loss set in the backwoods of Virginia with terrifying yet symbolic crabs. Mouse recommends.

And, of course, if you were kind enough to support me by picking up a copy, you have my eternal thanks.

Anyway, this year’s reviews:

In 2023 I reviewed 1 Canon Disney movie, 3 MCU movies with another to follow before year end, 1 animé, 2 live action movies (I’m counting Dark Crystal as live action and not animation because it is), 4 non-Disney canon animated features, 1 TV series, 1 Bats versus Bolts (it lives again!), 6 Batman movies plus the Gotham Knight series of short films and one weird essay that was supposed to be a review of Inherit the Wind but turned into me having an existential breakdown over the impossibility of knowing objective truth.

This was definitely a year when I pulled back from my usual staples of the MCU and Disney Canon but…Jesus, can you blame me? Not a hot take, I know, but whenever I have a bad year I will remind myself that at least it wasn’t as bad as Disney’s 2023. Holy shit what a dumpster fire. And we’re not done yet.

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You were supposed to be the Chosen One!

So, as a Disney reviewer and fan am I disheartened or saddened by this sudden, catastrophic reversal of the company’s fortunes? No, not at all. It’s a massive, rapacious corporation that doesn’t care in the slightest about any of us and thinking it’s your friend will get you eaten alive like that dude in Grizzly Man. If you do find yourself feeling sympathy, watch the Oh My Disney! sequence from Wreck It Ralph 2 to remind yourself of the rather sickening hubris that brought them to this point. Or, indeed, just watch any of their recent output. But the other reason why I’m not worried is because we have been here before. The canon always goes through highs and lows. They’ll course correct and come back stronger than ever. Happened after the second world war. Happened after the death of Walt, happened after the end of the Renaissance. Sunrise, sunset.

Anyway, my never-ending quest to clear my review backlog has reached some of the weirder and grungier items on the menu and this, combined with the aforementioned pant-shitting of two of my regular series, meant I honestly did not review that many good films this year. Best film?

Well spoilers, but yeah, it’s going to be Guardians 3.

Worst film?

Holy moly, spoiled for choice. This year had no less than FOUR new entries into the Hall of Shame which I think may be a record? And while a fair man might say that Freddie as FR07 was the worst film I’ve seen this year, I am neither fair, nor a man. I fucking hate Thor: Love and Thunder and I want to get one more kick in the goolies before New Year.

And on that happy note, thanks so much for reading and commenting. You guys are, as always, the best.

Nollaig shona daoibh go léir,

Mouse.

Raggedy Ann & Andy: A Musical Adventure (1977)

What was it about the seventies anyway?

I’ve reviewed a few animated films from this decade by this point and they are all (with the exception of the Disneys) weird as balls.

But I get ahead of myself. I’m going to let you in on a little behind the scenes secret. Ever since this mouse escaped the rat race and started writing full time, I’ve actually had less time to devote to this blog with work starting on most posts a mere few days before they’re scheduled to go live. This can be a problem when I starkly under-estimate just how much there is to research on a given movie and go plummeting down rabbit-holes

And my oh my, Raggedy Ann & Andy: A Musical Adventure is less a field full of rabbit holes than a giant hole with occasional bits of field clinging to the edges. But okay, a little background.

So waaaaay back in the 1910s an American named Johnny Gruelle patented a doll that he named Raggedy Ann and then wrote a series of stories starring her, which were such a success that Raggedy Ann became possibly the first bona-fide modern American toy fad. And, of course, as Jane Austen herself once said “it is a truth universally acknowledged that a toy franchise in possession of a fortune must be in want of an animated tie-in.” And boy howdy, did Raggedy Ann manage to get some impressive talent over the decades. For starters, there was a short series of Fleischer cartoons that were (naturally) as charming and well made as they were horrifying.

There were also two television specials produced in the seventies by Chuck Mofawkin Jones. But, without a doubt, Raggedy Ann’s most famous foray into the world of animation was 1977’s Raggedy Ann & Andy: A Musical Adventure which is…well, it’s something.

Here’s what it’s like. Imagine Hasbro want a new Transformers movie. And the director they initially tap dies and so they bring in a replacement; David Lynch. And now Optimus Prime is dancing with a backwards talking midget in the red lodge. That’s kind of what happened here.

Lynch in this instance was Richard Williams, who we’ve had our dealings with in the past. One of the best animators to ever work in the medium, period, Williams was shanghaid into making a glorified toy commerical and decided to use that opportunity to have the time of his life. This film is basically Williams and some of his most talented animator friends (Betty Boop co-creator Grim Natwick, future Genie animator Eric Goldberg and Art “I created Goofy and sued Walt Disney for unfair labour practices, took him all the way to the Supreme Court and lived to tell of it” Babbitt to name a few) having a ball on the dime of the good folks at the Bobbs-Merril publishing company.

But is it a good movie? Well…

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