Humour

Disney Reviews with the Unshaved Mouse #41: Atlantis: The Lost Empire

(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material. New to the blog? Start at the start with Snow White.)
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So you may have noticed that I’ve been doing a little housekeeping around here.
Anything to avoid doing a little housekeeping around here.

Anything to avoid doing a little housekeeping around here.

Since we’re now pushing fifty reviews I’ve finally organised the reviews by era and decade so you can more easily browse them. Longtime readers of the blog will know that I’ve got my own idiosyncratic way of organising the canon Disney movies; The Tar and Sugar Movies of the late thirties and early forties, the Never Heard of ‘Ems of the war years, the fifties Restoration, the sixties and seventies Scratchy Era, the Mourning Era of the eighties and the Renaissance of the nineties. I then had to come up with a name for this weird post-millenial chunk of movies between Fantasia 2000 and The Princess and the Frog and this had me stumped for a good while. I hear “The Dark Age” trotted out a lot as a description for this era but that just doesn’t sit well with me for two reasons; firstly I try to use a name that suits the overall style and tone of the movies and the movies of this period are not particularly “dark”. Then of course, “The Dark Age” implies that all these films are somehow inferior and you can tell me that The Emperor’s New Groove and Lilo and Stitch are bad movies or you can keep your limbs intact but you cannot do both. Finally, I settled on “The Lost Era” because this era, like the Mourning Era, was an experimental time where Disney was trying to answer the question “What kind of movies do we make?” The most sustained periods of success in Disney’s history have always been times when the company found a formula that worked. When they knew what they were about. In the fifties, it was fairytales and adaptations of classic children’s literature. In the sixties, it was jazzy Sherman Brothers musicals, in the nineties it was all about Broadway. The origins of Atlantis: The Lost Empire began in a Mexican restaurant when directors Gary Trousdale, Kirk Wise and producer Don Hahn sat down to a big bowl of nachos and tried to figure out the future of Disney. These three men were the creative heads behind my personal favorite Disney movie, The Hunchback of Notre Dame and this meeting was born largely out of a desire to keep the band together, so to speak. Trousdale, Wise and Hahn realised that they had put together an absolutely phenomenal team for Hunchback and were anxious not to see this incredibly talented group of people separated and put on other projects. The solution was obvious: Make another movie. But what kind of movie? It was clear by now that the Broadway Disney musical had been done. And done again. And then, why not, done a couple more times. And while those movies had been hugely (HUGELY) successful, it was clear that enough was enough. When you’ve got a formula that’s familiar enough for this kind of parody to work…
…it’s time to try something new. This was the paradox Disney faced in the early 21st century. They knew what worked, but they couldn’t do it anymore. For a while, Tarzan had seemed to offer a way forward, a pseudo-musical with all the songs sung by a big name musical talent instead of the characters. But then that had come a rather massive cropper with the Kingdom of the Sun/Emperor’s New Groove  debacle. Yeah, yeah, I know. You love the movie, I love the movie. That’s because it didn’t cost us $100 Million. More importantly perhaps, Trousdale, Wise and Hahn did not want to make another animated musical. As the nacho cheese flowed like wine, the three men began talking about the movies they had loved growing up, and specifically, the Disney movies they had loved growing up. Now, hold onto your hats people because I am about to blow your freaking minds. Did you know that Disney also made live action, non-animated, human-acted with actual human beings movies?
I warned you.

I warned you.

My paw to God, it’s true. In fact, my good buddy Animation Commendation even has a blog devoted to Disney’s live action efforts which I’ve been meaning to link to for ever. You should check it out. The germ for the idea that would become Atlantis began with a desire to do an animated version of the old Disney live action adventure movies. You know, Davy Crockett, Treasure Island and by far it’s most obvious influence, 20,000 Leagues Under the Sea. 

Atlantis represented a huge, daring creative gamble for Disney, an attempt to break out of the admittedly lucrative formula that had begun to stifle the studio creatively. This was going to be something new. There would be no funny animal sidekicks. The movie’s unofficial motto during production was “less singing, more explosions”. Comic book creator Mike Mignola was brought in to give the movie a new distinctive visual look.  This thing would have a PG rating by God!

I'm frightened.

I’m frightened.

One thing that really comes across watching this movie and the bonus material that comes with it is just how much everybody cared about this film. Seriously, you can tell, they worked their asses off on this. Did it pay off?

Well…read the review! You think I’m just going to tell you up front?

Nerve of some people...

Nerve of some people…

Let’s take a look at the movie.

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Video Reviews #1: Snow White

So now, not only do we have Erik Copper doing the audio versions of my reviews, Mauricio Guarua is doing video versions of Erik’s audio versions of my reviews. At this rate by next week we’ll have turned this thing into an all singing, all dancing musical and will be coming soon to a theatre near you. In the meantime though, please enjoy Mauricio’s/Erik’s/My review of Snow White:

 

Disney Reviews with the Unshaved Mouse #40: The Emperor’s New Groove

(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material. New to the blog? Start at the start with Snow White.)

***

So let me tell you a little story about the worst movie Disney never made. It was called Kingdom of the Sun, an epic retelling of the story of the Prince and the Pauper set in the Incan Empire. Roger Allers, director of the Lion King was at the helm, Owen Wilson was cast as the Pauper, David Spade was the Prince, Eartha Kitt was playing the villainous sorceress Yzma who was to be animated by the legendary Andreas Deja. Oh, and the score was to be provided by legendary rocker Sting. Sounds pretty awesome, right? So what happened? Well, the movie making business is a huge, complex and labyrinthine affair and the reasons why certain movies fail and others succeed is never clear cut but if I had to guess I’d have to say it was because it sucked balls. Test audiences hated the movie, which was a problem because half the damn thing was already completed. So Mark Dindal, director of Cats Don’t Dance, was brought in to make the movie a bit more light hearted and audience friendly. Dindal and Allers pretty soon found themselves at odds to the point where each director was essentially making a different movie. The Disney execs had been willing to give Allers a lot of leeway because…y’know…fucking Lion King…but it was becoming increasingly apparent that Kingdom of the Sun wasn’t going to make it’s 2000 release date. And this was a problem because Disney had signed merchandising deals with McDonald’s and Coke who probably had Michael Eisner’s daughter as collateral or something. Allers asked for a six month extension to get his shit together. DeniedAnd so Allers left and it fell to Dindal to pull off one of the most amazing salvage jobs in modern movie history. Out of the ashes of Kingdom of the Sun, came Emperor’s New Groove, which I have now rewatched and feel confident in saying is the single greatest comedy in the entire Disney canon. Funnier than Robin Hood and Jungle Book. It’s hilarious. In fact, it’s so funny that I’m pretty much totally screwed. There is nothing harder to review than a good comedy, especially if you are a quote unquote “comedic” reviewer. I mean, look, I think I can be pretty funny on a good day, but there is no way in hell that I can write a review that will make you laugh more than just watching this thing. But, as long we’re all agreed that this is an exercise in futility, I’m game if you are. Okay, so Dindal basically decided that there was no chance in hell they could do the kind of epic, Lion King-esque movie that Allers had planned in the time left, so they might as well just have fun. Gone was the Prince and the Pauper storyline. Yzma was now a wacky mad scientist. The Emperor, Kuzco, was now an entitled jerk. The tapes for Owen Wilson’s performance were taken and cast out into the wilderness to be feasted on by jackals with a taste for deadpan Texan delivery and John Goodman was brought in to replace him. Everything was now stripped down, small cast, simple plot, no big animated set pieces. Oh, and all but two of the songs Sting wrote were tossed out. Sting would later say: “At first, I was angry and perturbed. Then I wanted some vengeance.” Well, having had to listen to My Funny Friend and Me, I too want some vengeance, Sting.

And here it is.

And here it is.

Let’s take a look at the film.

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Disney Reviews with the Unshaved Mouse #666: The Nightmare Before Christmas

(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material. New to the blog? Start at the start with Snow White.)

***

Hi everyone. So, unfortunately I’ve got some bad news. I know you were all looking forward to my review of Emperor’s New Groove but I’m afraid I just wasn’t able to get it done on time. Sorry. I’ve actually been going through a lot of personal problems recently that’ve been making it hard to write. You all know of course that I recently suffered a severe trauma.

Why God?

Why God?

But reviewing Dinosaur was just the straw that broke the mouse’s back. I’m just…

I’m tired of this. I’ve reviewed over forty movies now and it’s just getting so hard to come up with new jokes every two weeks. It’s just the same routine over and over again.

And I! Mouse! The Un-shaved king…have grown so tired of the same old thing…

Oh, don't say that meu amigo. You just need a little break.

Oh, don’t say that meu amigo. You just need a little break.

Hmm…you seem vaguely familiar. I feel like I know you, but blocked out the memory for some reason. Weird.

I get that a lot. You know what you need? You need to review something a little different. Like this!

I get that a lot. You know what you need? You need to review something a little different. Like this!

The_nightmare_before_christmas_poster

The Nightmare Before Christmas? Well, it is a great movie. And it is Halloween. But…no, I couldn’t. It’s not part of the canon!

You've reviewed plenty of movies that aren't in the canon. You even reviewed An American Tail when you were in the Bluthverse.

You’ve reviewed plenty of movies that aren’t in the canon. You even reviewed An American Tail when you were in the Bluthverse.

That’s true…wait, how could you know that?

Let's just say I'm well informed. Come on Mouse. Review the movie. You know you want to.

Let’s just say I’m well informed. Come on Mouse. Review the movie. You know you want to.

No, no. I can’t. All the reviews I do are in strict chronological order. Nightmare Before Christmas came out in 1993, I’m already into 2000.

And what a great decade that was! You're right. I'll leave you to review Brother Bear, Chicken Little, Home on the Range...

And what a great decade that was! You’re right. I’ll leave you to review Brother Bear, Chicken Little, Home on the Range

Okay! Okay! You’ve talked me into it. I mean, it’ll be fine. So I temporarily forsake my sacred oath to review all the canon Disney classics in order? What’s the worst that could happen?

What indeed?

What indeed?

Okay. So, The Nightmare Before Christmas. Little basic housekeeping out of the way first, this movie was in fact neither written nor directed by Tim Burton.

Yeah, NO idea why you might think that.

Yeah, NO idea why you might think that.

You’ll remember from the Fox and the Hound review that Tim Burton was an animator at Disney before leaving to become a big time Hollywood muck-a-muck. He came up with the concept for the film, based on a poem he himself wrote in 1982, and designed most the of the characters but when the time came to actually shoot the thing, Burton was too busy making Batman Returns and handed directing duties off to Henry Selick, and scriptwriting chores to Caroline Thompson and Michael McDowell. However, I don’t want to undersell Burton’s contribution as this is still probably the most “Tim Burtony” film ever made. That’s really down to the fealty with which Selick treated Burton’s designs and ideas. I mean sure, they put Burton’s name over the thing because he was the bigger draw, and that kind of sucks for Selick…but at the same time,  it does very much feel like Tim Burton’s Nightmare Before Christmas. But of course, the clues are there that Burton didn’t actually direct it. Because Johnny Depp and Helena Bonham Carter aren’t in it and Burton never does anything without Johnny Depp and Helena Bonham Carter. And I’m not just talking about movies, either. Burton doesn’t go to the bathroom without Johnny Depp and Helena Bonham Carter (Depp pulls the fly down, Carter pulls it back up).

Nightmare has two big influences, the old Rankin/Bass stop-motion Christmas specials and even more so, the 1966 animated version of Dr Seuss’s How the Grinch Stole Christmas.  Jack Skellington was envisioned by Burton as being a kind of anti-Grinch, a macabre character who adores Christmas instead of loathing it, but whereas the Grinch changes once he comes to understand Christmas, Jack never does and the movie implies that really that’s okay. Christmas is not for everyone.

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Disney Reviews with the Unshaved Mouse #39: Dinosaur

(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material. New to the blog? Start at the start with Snow White.)

“All that remained of his herd were his mother, grandmother and his grandfather. He knew them by sight, by sound and by their love.”

The Land Before Time, 1988

“That, children, is what’s known as a jerkasaurous.”

Dinosaur, 2000

I’ve said it before and I’ll say it again, the classic Disney movies are a lot like hardcore porn, and I’m not just saying that because putting the words “dinosaur” and “porn” in a blog post is my best chance of scamming a few page views before this “dino-erotica” news fad runs its course.

I’d say “don’t judge me”, but honestly I’d think less of you if you didn’t.

What I mean is, it’s hard to exactly define what makes a Disney classic, but you know it when you see it. Like porn. Even dinosaur porn. Read my blog, perverts. Take for example, Sleeping Beauty and The Avengers. They’re both technically Disney movies in that they were released by Walt Disney studios, but one is considered part of the canon classics and the other isn’t. Why is that? It’s not because Sleeping Beauty is wholly animated, because there are plenty of movies in the canon that are partially or even mostly live action (Saludos Amigos for example.) It’s really more just a question of looking at a movie and saying “Yes…this fits.” Today’s movie did not clear that barrier when it was first released. Disney did not consider Dinosaur  part of the canon classics, which means that by rights I should have skipped over it and should be pissing my pants right now watching the side-splitting awesomeness of The Emperor’s New Groove. But no, Dinosaur has since been retroactively shoe-horned into the canon and it’s all thanks to one person.

You are fucking DEAD blondie.

You are fucking DEAD blondie.

Sigh. Look, Rapunzel? I’m glad you now get to call yourself the fiftieth canon Disney movie. Good on you. You earned it, what with being the beloved fairytale princess character who rescued the flagging fortunes of the Disney studio.

In Disney's defence, it's only the fourth time that's happened.

In Disney’s defence, it’s only the fourth time that’s happened.

I just have one question, Rapunzel. Did you have to ruin my life to do it?

See, I hate this movie. Like a lot. Like, “congratulations Black Cauldron, you no longer live at the bottom” hate it.

Dinosaur was in the works for a long time, originally pitched to Disney as a stop-motion film by none other than Paul Verhoeven. Because, when I think of creators and studios who were made for each other…I do not think of Paul Verhoeven and Disney. At all. Like, not even a little. Verhoeven’s original pitch was for a silent, almost nature documentary film which would be extremely violent and end with the extinction of the dinosaurs at the end of the Cretaceous. And yeah, Paul? Did you just get high and walk into the wrong studio? Disney instead decided to sit on the idea until computer effects technology had advanced enough to create realistic animated dinosaurs and that is your problem right there. People who like this movie always mention the visuals. The whole advertising campaign was just showing the first few wordless minutes of the movie to showcase the animation. The damn tagline is “Like nothing you’ve ever seen”. This was a movie made to showcase special effects technology, not because anyone involved had a story to tell. Which is why everything outside the animation is rote, tacked-on, hacky and mediocre. And even the animation isn’t that great. I mean, I suppose it’s impressive considering it was Disney’s first fully computer animated feature.

Actually Mouse, since it uses live action backgrounds it's only partially computer animated...

Actually Mouse, since it uses live action backgrounds it’s only partially computer animated…

NIT, SHUT UP I AM IN NO MOOD FOR PEDANTRY!

Deep breath.

Okay, I always try to be positive so let me tell you the two things I like about this movie:

1) I like that they avoid the usual T-Rex/Triceratops/Stegosaurus/Diplodocus clichés and actually use some more obscure dinosaur species.

2) There is the kernel of an interesting debate here about a society’s obligation to look after its most vulnerable members versus the greater good of the strongest and fittest. Kind of…the Obamacare debate with dinosaurs.

Aaaaand…

That’s it. Nothing left but to unhinge my jaw like a python and let the bile gush forward.

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Disney Review with the Unshaved Mouse #38: Fantasia 2000

(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material. New to the blog? Start at the start with Snow White.)

Unshaved Mouse?

Unshaved Mouse?

Yes? Who are you?

Yes? Who are you?

I'm Court Appointed Attorney Antarctica. I'm to represent you at your trial.

I’m Court Appointed Attorney Antarctica. I’m to represent you at your trial.

Give it to me straight. What are my chances?

Give it to me straight. What are my chances?

Don't worry about it. I actually think we've got a very strong case.

Don’t worry about it. I actually think we’ve got a very strong case.

Really?

Really?

Sure. See, Comrade Crow may have taken over but it's still your blog. And the only way he can change the name of the blog is if he can prove you've failed in your duty as a Disney reviewer.

Sure. See, Comrade Crow may have taken over but it’s still your blog. And the only way he can change the name of the blog is if he can prove you’ve failed in your duty as a Disney reviewer.

Wow! That's great! He'll never be able to prove that!

Wow! That’s great! He’ll never be able to prove that!

Just relax. I'll have you out of here before my icecaps melt.

Just relax. I’ll have you out of here before my icecaps melt.

This is a lawyer!

This is a lawyer!

All rise for the Honorable Judge Claude Frollo.

All rise for the Honourable Judge Claude Frollo!

Has the prosecution prepared a  statement?

Has the prosecution prepared a statement?

Indeed, your honour. Comrades! For too long we have languished under the yoke of this detestable rodent!

Indeed, your honour. Comrades! For too long we have languished under the yoke of this detestable rodent!

UP YOURS CROW!

UP YOURS CROW!

He claims to be a reviewer of Disney movies, and yet not one week ago he devoted an entire post to non-Disney animated films!

He claims to be a reviewer of Disney movies, and yet not one week ago he devoted an entire post to non-Disney animated films!

You honour, my client has repeatedly re-affirmed his loyalty to the Disney canon. If this is the best the prosecution can do I feel sorry for them.

Your honour, my client has repeatedly proven his loyalty to the Disney canon. If this is the best the prosecution can do I feel sorry for them.

His views on Disney movies have frequently been contrarian, laughable, or just plain idiotic!

His views on Disney movies have frequently been contrarian, laughable, or just plain idiotic!

... Swanpride?


Swanpride?

Your honour, who here DOESN'T hate Aristocats?

Objection, your honour, who here DOESN’T hate Aristocats?

Sustained.

Sustained.

Very well, I shall prove the Unshaved Mouse is unfit to review Disney movies. Mouse, tell the court which you prefer Fantasia...or Fantasia 2000!?

Very well, I shall prove the Unshaved Mouse is unfit to review Disney movies. Mouse, tell the court which do you prefer; Fantasia…or Fantasia 2000!?

Oh. Well, on balance I'd say I probably prefer Fantasia 2000.

Oh. Well, on balance I’d say I probably prefer Fantasia 2000.

...

Your Honour, I cannot in good conscience defend my client. I urge you to find him guilty.

Your Honour, I cannot in good conscience defend my client. I urge you to find him guilty.

Wait what?!

Wait what?!

I recommend death by fire ants. Kill this sick freak!

I recommend death by fire ants. Kill this sick freak!

Where did you get your law degree?!

Where did you get your law degree?!

WHERE DID YOU GET YOUR SOUL!?

WHERE DID YOU GET YOUR SOUL!?

Okay, yes. It's not a popular opinion but let me explain why. And then I will accept the courts judgment. Agreed.

Okay, yes. It’s not a popular opinion but let me explain why. And then I will accept the court’s judgment. Agreed?

The court acedes.

The court accedes.

Very well.

Very well.

NO! KILL HIM NOW!

NO! KILL HIM NOW!

I just came to this blog because I was told there were Disney reviews here and I have no fucking idea what all this bullshit is.

I just came to this blog because I was told there were Disney reviews here and I have no fucking idea what all this bullshit is.

Okay, yes. It's not a popular opinion but let me explain why. And then I will accept the courts judgment. Agreed.

New to the blog? Start at the start with Snow White. It’s right up there at the top.

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Disney Reviews with the Unshaved Mouse #37: Tarzan

(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material. New to the blog? Start at the start with Snow White.)

So as I sit here in my small, dank COMFORTABLY APPOINTED DISSIDENT CONTAINMENT RECEPTACLE, forced to eat NOURISHING RATIONS FOR WHICH I AM GRATEFUL and being brutally beaten about the head with THE BRILLIANT INTELLECTUAL REVELATIONS OF MARXIST THOUGHT I’ve had time to think. Mostly, or course, I’ve been darkly plotting what I’m going to do to that BENEVOLENT FATHER OF THE PEOPLE COMRADE CROW, ALL HAIL CROW! once I NEVER ESCAPE. But I’ve also been thinking about Tarzan. What happened to Tarzan? Why is it that no one seems to remember this movie? If I walk into a room and randomly sing the first few lines of “Hakuna Matata” or “Part of Your World” chances are that the whole room will join me for the chorus. “Two Worlds”? Crickets.
Why did this movie leave so little trace on pop culture? Well, it wasn’t really that popular when it came out, right? Wrong. This thing opened at Number 1 and outgrossed Mulan, which had already been seen as a major return to form for Disney. And it’s not like the critics were leery of it either, this thing got crazy good reviews: 88% on Rotten Tomatoes.  So why has this movie, like me, been largely forgotten? Part of the problem, I think, is that by the turn of the millennium Disney had become a victim of its own success. In America, from the late nineteen thirties to the mid nineties Disney was pretty much the only studio making top-tier feature length animations. Sure, challengers would occasionally arise (the Fleischers in the thirties and forties, UPA and Hanna-Barbera in the sixties) but for most of that half century the only studio willing to risk the massive investment of time and money that is involved in making a feature length cartoon was the mo’fuckin House of Mouse. And don’t forget, most of the movies that we’ve covered on this blog were not all that successful financially. Even the really big hits like Sleeping Beauty cost so much that their massive box office takes were a Pyrrhic victory. Disney made most of their money in merchandising and the theme parks, which meant that smaller studios that didn’t have the luxury of owning theme park were content to leave the feature length animation pastures to Disney. But then, something happened. With the advent of new computer technologies, producing a full length animated feature went from being impossibly expensive and prohibitively time consuming to merely hugely expensive and massively time consuming. Disney capitalised on this, and in one the whitest hot streaks in movie studio history, ushered in the Renaissance. These movies were huge, some of the most successful of all time. Suddenly what had previously been seen as a white elephant was now one of the most profitable genres in the business. And why was that?
pixar
Okay fine, yes. Pixar’s success was the main factor, but the way was prepared by Disney’s earlier success with the Fearsome Four of Little Mermaid, Beauty and the Beast, Aladdin and Lion King.
"AW C'MON!"

“AW C’MON!”

Disney created a market where animated features could be hugely successful and now they had to contend with a host of rivals, some of them mighty intimidating. There was Pixar of course, who released Toy Story 2 the same year as Tarzan, and were now well on their way to being one of the most critically lauded studios in cinema history. And then there was Dreamworks, run by former Disney boss Jeffrey Katzenberg, whose ruthlessly commercial movie making would produce three of the biggest grossing films of all time. And that’s not to mention the dozens of smaller rivals that sprang up in the wake of Disney’s early nineties successes. Heck, it’s gotten to the stage where it seems like anyone can release a full length animation. Even these idiots!
And I this is why I think Tarzan doesn’t stick in people’s memory. Not because it isn’t an awesome movie (it is) but because it was released in a time when Disney were no longer kings in their field. Pixar had taken the crown of critical darling, DreamWorks the crown of commercial money-making animation powerhouse (or they would with the release of Shrek a few years later). Tarzan came at the tail end of the Renaissance, overlapping with the beginning of Pixar’s reign and it just got lost in the folds. So let’s take a look at this thing, before the guards come and shackle me GENTLY to the wall and begin PLAYTIME WITH FRIENDLY DOGS who will brutally LICK my FACE while a DEDICATED SERVANT OF THE GLORIOUS REGIME OF COMRADE CROW, HAIL CROW! shoves THE GLORIOUS TRUTH OF THE ETERNAL REVOLUTION up my OUTDATED BOURGEOIS WORLDVIEW. This will probably be my last review. And God help me, I’m writing it on toilet paper.

Recant, Retract, Remove: My open letter to the Irish Independent (and what happened next)

So, oddly enough, this blog devoted to reviews of Disney movies had its busiest day ever when I decided to talk about something entirely unrelated to reviews of Disney movies.

Man, that was a wasted year.

Man, that was a wasted year.

If you’re just tuning in, last week I posted on the Irish Independent’s  sudden, unplanned trip to cray-cray town and a lot of you have asked to be kept abreast if anything came of it. Well, here we go.

I mentioned before that I’d written a formal letter of “What the hell bra?” to the Indo complaining about this article and earlier this week I got a phonecall from XXXXX in the paper saying that they’d read my letter and they’d checked with the journalist who wrote it and that he confirmed that the scientists he’d interviewed had made the claims printed in the article. I could see right off the bat that we’d gotten our wires crossed. I explained that my problem wasn’t that I doubted that the scientists had actually said those things, but that the things they said were…how shall I put this? A clenched fist of bollocks. We then had this exchange. It may not be word for word but it’s a faithful gist:

“Well, that’s your opinion. But these are some very serious scientists.”

“They’re cranks.”

“Why do you say that?”

“Because you can’t use radio waves to create energised water that makes giant animals.”

“How do you know?”

How do I know. Well that’s the question, isn’t it? It’s a bit of a stumper. It’s like being asked, “How do you know elephants can’t get heat-vision from eating lemons?” Technically, I suppose, I don’t know they can’t. But there is such a thing as an educated guess. Well anyway, XXXXXX very kindly offered to let me publish a letter in the paper explaining my concerns with the article. This is what I sent them:

Sirs,

Thank you for this opportunity to share my thoughts on the article “Wave Goodbye to Global Warming, GM and pesticides” by Tom Prendeville, which appeared on Independent.ie on 25 August. When I first read this article I was so flabbergasted that I ended up writing a critique of it online (entitled “Question: Has Ireland’s biggest national newspaper lost its goddamn mind?”) and within hours I was inundated with messages from people who were all wondering the same thing: “How did the Independent let this thing get published?”

The article, written in the best “breathless press release” style claims that Irish scientists have perfected a new technology, a device the size of a biscuit tin that converts 24 volts of electricity into a radio wave that can then be used to transform water into “Vi-Aqua” which is then used to treat vegetables. Then come the following claims (and I swear I am not making any of this up): Treated vegetables become 30% larger and are resistant to disease, rendering pesticides and GM foods obsolete. It converts excess CO2 into plant matter, thereby solving global warming. It makes “water wetter” (really), thereby reducing the amount of water actually needed. And in, a final display of not knowing when to quit, the author states that animals fed the energised water “turn into giants”. We can only assume that Mr Prendeville ran out of space before he was able to recount how Vi-Aqua fed a crowd of five thousand and then died on the cross for our sins.

Now this is of course flim flam, and obviously transparent flim flam*. The Independent may say “We published the article in good faith. We’re not scientists.” But you shouldn’t need to be. There is nothing here that should be able to fool even a moderately educated layman. If “making water wetter” didn’t tip you off, “giant freakin’ farm animals” should have done the trick. The science here wouldn’t pass muster on Doctor Who**. 

But even aside from this, it’s frighteningly obvious that nobody checked this before it went to print. The basic facts stated in the article don’t stand up to even the mildest investigation. Warrenstown, the facility where these miraculous experiments supposedly took place, has been closed since 2009. That took all of three minutes with a search engine to find out. I should point out something at this point: I am not a journalist. I am a guy who writes reviews of Disney movies on the internet. When you cannot match the story-proofing and journalistic rigour of a guy on the internet who writes reviews of Disney movies, that is a bad day for you.

So why am I so upset about this? If the article is as ludicrous as I make it sound then surely no one will believe it? Well firstly, if you think that, then I have an internet to introduce you to and secondly yes, they absolutely do believe it and are sharing it because source matters more than content. I believe the Holocaust occurred and man walked on the moon. Why? Because I was there? Because these events were everyday, mundane and believable on their face? No. Because sources I trust, reputable historians and news sources, tell me that it was so. 

Over the last few days I have watched this story metastasize and spread across the internet and I can tell you now with some authority that you have done the following;

1) You have opened up yourselves, the University of Limerick and the nation as a whole to ridicule and scorn, and have turned Irish scientific research and Irish scientists who do real, vital work in their fields into laughing stocks.

2) You have helped perpetuate the myth that there is some magical cure-all to the issue of global warming, the most pressing concern facing humanity in the modern age.

3) You have allowed yourselves to act as salesmen for a product whose scientific efficacy I will call (in deference to the delicate constitutions of this paper’s legal department) “a bit iffy”.

4) You have done serious and lasting damage to your own reputation as a trustworthy news source and this is by far the worst of all.

In the modern era, with the internet drowning us non-stop in a sea of never ending half truth, cons and sheer bullshit we need, more than ever, legitimate, trustworthy news sources. If I see “Asteroid Headed For Earth” on Mayanprophecy.net I won’t give it a second glance. If I see “Asteroid Headed for Earth” on the front page of The Times I’m running for my wife and daughter to hug them goodbye. We need the grownups. We need to know who we can trust, and who we cannot.

The Irish Independent has incredibly, spectacularly failed that test. With regard to this article there are now only three things you can do: 

Recant. Retract. Remove.

Mise le meas,

Neil Sharpson

***

So I sent this off to XXXX and got a response asking me to edit it down to less than five hundreds words.  I did, cutting a few “flim-flams” here and there and sent it back in. And then I got this response. I think the following email chain speaks for itself.

***

Dear Mr Pearson,

 

Thank you for your letter.

 

If you wish to write a letter challenging the merit of the piece, subject to legal and editorial constraints, we would welcome that.

 

However, this letter cannot be published due to legal reasons.

 

We are more than happy to publish a letter that challenges the content of the article, not the reputations of the scientists involved.

 

Kind Regards,

 

XXXXXX

***

Hi XXXXX,

 
Was this sent to me in error? I only ask because you seem to have gotten my surname wrong.
 
Regards
Neil Sharpson

***

Hi,

 

Apologies for that Neil – it was intended for you, but I got the surname wrong,

 

Apologies,

 

XXXXX

***

You’re kind of terrible at this.

***

So, there you have it. Nothing really left to say except that my article which mentions many concrete inaccuracies while not naming the scientists involved by name does not challenge the contents of the article and endangers the reputations of the scientists involved. My bad. Gonna try and take this up with the Press Ombudsman and see if I can get a sympathetic ear.

I’ll let you know how it goes.

All the best

Mouse

PS: I think I may have inadvertantly given the Independent a new slogan.

independent_logo

* Yes, I say “flim flam”. Yes, I AM a nineteenth century cotton baron, as a matter of fact.

** I love Doctor Who. But this is a show where DNA can be passed along by lightning strikes.

***

The third week of voting for the Blog Awards Ireland 2013 has now begun. If you have a minute, please click on the link below and cast your vote for “Disney Reviews with the Unshaved Mouse #8a: Song of the South. Thanks.

blog awards ireland

Disney Reviews with the Unshaved Mouse #36: Mulan

 

(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material. New to the blog? Start at the start with Snow White.)

Hello internet! Man, I don’t know about you but I’m back, feeling well rested and ready to review some goddamn Disney movies! Who’s…

…with…

…me…?

Santa Claus, Lex Luthor and Asian Nixon? But they’re mortal enemies!

Okay, is it just me or has the blog gotten…sorta…Communisty since I’ve been gone?

Comrade Mouse, how's it hangin' dawg?

Comrade Mouse, how’s it hangin’ dawg?

Gangsta Asia?! What’s been going on around here?! Why does my blog look like May Day in Red Square?

I'm now Comrade Gangsta Asia. And your blog is the people's blog now thanks to the glorious socialist revolution we had in your absence. Um...for rizzle.

I’m now Comrade Gangsta Asia. And your blog is the people’s blog now thanks to the glorious socialist revolution we had in your absence. Um…for rizzle.

Alright look, you can be a communist character or a gangsta character but not both, you’re not fleshed out enough to support two defining traits.

Yeah, this is really hard.

Yeah, this is really hard.

Second, who staged a communist uprising on my…why do I even need to finish that sentence?

Hello Mouse.

Privyet, Mouse.

Oh heeey Comrade Crow. Look, I know I haven’t been featuring you much on the blog in the last…

Ten months.

Ten months. Cinderella review.

Wow! Really? No, c’mon, you had that cameo in the Beauty and the Beast review…

Silence! As a remnant of the old regime you are considered an enemy of the blog. Take him away!

Silence! As a remnant of the old regime you are considered an enemy of the blog. Take him away!

Dammit. See, this is why you have to be careful of offending communists. They tend to hold a grudge.  Disney learned this the hard way when they financed Kundun, a biopic of the current Dalai Lama that kinda portrays China in a negative light. You know, like Ike always gets the short end of the stick in movies about the life of Tina Turner. So anyway, China heard that Disney had been talkin’ smack and didn’t think that China would hear it.

Yes, Hollaback girl is about Chinese international relations. That songs has layers, man.

Yes, Hollaback Girl is about Chinese international relations. That songs has layers, man.

Suddenly, Disney found itself frozen out of what was rapidly becoming the most lucrative movie market on the planet. China only allows a limited number of Western films to be screened there each year and if you think Disney isn’t willing to bend over so far that its lips actually touch its own anus just to get a sniff of a chance of a shot of that market…well, you haven’t really been paying attention.

"Hello, Fan Bingbing? I'm just calling to let you know that China's strength and prowess fills with joy and contentment."

“Hello, Fan Bingbing? I’m just calling to let you know that China’s strength and prowess fills me with joy and contentment.”

"But of course, Mr Stark. China is well aware of its greatness. NOW DANCE!"

“But of course, Mr Stark. China is well aware of its greatness. NOW DANCE!”

iron-man-dancing

But back in 1997, Disney decided on a slightly more dignified way of  currying favour. Mulan originally was going to be a short, straight to video animation called China Doll, about a poor Chinese girl who’s rescued by an Englishman and taken to live happily every after in the West. And that, from the offensive title to the paternalistic premise, pretty much sounds like the worst fucking thing ever. It was  Robert D. San Souci, the children’s author and sometime Disney consultant, who suggested instead making a movie version of the Ballad of Hua Mulan (not to be confused with the Ode to Fa Mulan). You can read the poem here, it’s quite short and also pretty amazing. It’s a 1500 year old poem that simply and unabashedly makes the case for gender equality, depicting a young girl who goes off to fight a twelve year military campaign in place of her aged father, wins honour and prestige and returns home at last, revealing to her astounded comrades that she was a woman the whole time.  So, we have a Disney movie that not only is going to delving into depictions of a non-European culture, but also dealing with the issue of feminism. Race and gender? Well surely this can’t go wrong?

Well…no. Actually. It didn’t.

You know, I’ve been doing this a while now and if I’ve learned one thing it’s this: Every movie has its defenders. No matter how little I, or the general consensus, rate any Disney movie, there will always be someone to fight its corner. There are Pocahontas fans, Black Cauldron fans, Aristocats fans and even Three Caballeros fans. Well, maybe “fans” is not the right word for that last one.

Cultists, that's the word.

“Almighty Rooster, hear our prayer.”

Conversely, on the other end of the scale, no matter how highly a Disney movie is ranked and rated and praised, there will always be someone who doesn’t think it’s all that. I know people who don’t like Lion King, Little Mermaid, Sleeping Beauty, Hunchback…hell there are some sick fucks who don’t like Beauty and the Beast! But…not for this one. Honestly, I have never met or spoken to a single Disney fan who does not absolutely adore Mulan. Do I agree?

Fuck yeah I agree!

Sorry, you may have wanted me to string you along until the end of the review before revealing my opinion of this movie but…really? The fact that I composed a goddamn ode to the main character didn’t tip you off? Yeah, I love this movie, and I love Mulan herself, without a doubt the most badass character in the Disney canon. Don’t believe me? Let’s take a look at the story of Mulan, or, as I like to call her; The Death Who Walks.

Probably best to do it as quick as possible.

Probably best to do it as quick as possible.

(more…)

Something to get you in the mood for the Mulan review. Also: VOTE!

Well, I don’t know about you, but I’m starting to get antsy waiting for the fifth to roll around so here is something I threw together with my friend, the incredibly talented Jeda DeBrí and my equally talented wife Aoife O’Donoghue. Yes, we do video here now! Like a real internet!

Okay, so now that I’ve lured you back to the blog I have to confess an ulterior motive. Let’s be honest with ourselves here. There’s no use fighting it. You feel it. I feel it. There’s something between us. Always has been. But I’ve been hurt so bad before. I just don’t know if I can trust someone again, to let my barriers down and let a community of internet commenters into my heart. What’s that you say? How can you prove your love?

Well…there is one thing, but…

No. I could never ask you.

What’s that? You insist?

Well…

So you remember I told you that I’d been nominated for the Blog Awards Ireland 2013?

blog awards ireland

Oh dear oh dear, did I leave this old thing lying around here again?

Well it turns out that I’ve also been nominated for Best Blog Post. (Twice technically, the Song of the South and Black Cauldon reviews both got nommed.) This one works a little differently from the other categories. You vote for your choice (you can vote once a week) and then at the end of the week the 5 posts with the fewest votes get eliminated. This goes on every week until there are only ten left, and the winner will be announced at the Blog Awards on 12th October.

So please. If you have a moment, pop over and vote here for Song of the South for Best Blog post.  (I don’t want to split the vote, and honestly, the SOS review is the one I’m more proud of.) So go, exercise your democratic right and vote. Otherwise the terrorists win. By which I mean the other bloggers. Who are terrorists. Nah. I’m kidding. They’re great, it’s all in good fun and may the best man win. They’re not terrorists.*

Thanks guys.

*No, seriously. They hate our freedom. It’s us or them.