“Hey Mouse, what do you think about all these live action Disney remakes?” is a question I have never been asked because I am a relic of the 2010s internet and have been irrelevant to fandom discourse for quite some time.

But if they did ask for those opinions, boy, do I have opinions! Nuanced and interesting opinions? Not really, by and large I think they’re hot garbage at best and actually morally reprehensible at worst.


I hate the whole scene, man. I hate the lazy nostalgia milking. I hate the rehashing of old songs and characters in ways that are always inferior to the originals (the 2016 Jungle Book is, I admit, a pretty fine movie but I’ll be deep in the cold ground before I say it’s an improvement on the ’67 cartoon.). I am real sick of Disney cynically trumpeting minor gay characters whose presence would have been real daring thirty years ago to earn gushing publicity. And I really hate that the biggest entertainment company in Western history is apparently unable to understand the simple fact that just because a character is a great villain doesn’t make them a great protagonist. In fact, it means the opposite of that.

That said…I’ll admit the announcement of 2015s Cinderella provoked a lot less bile and profanity to gush forth than it usually would. Mostly that’s a lack of skin in the game. The 1950 Cinderella is a film with which I am on perfectly cordial terms, but it’s not and never will be as important to me as something like The Little Mermaid or The Lion King. Plus…it’s Cinderella, you know? The Disney Cinderella may be the most famous film version but it’s certainly not the definitive version, because there isn’t one and never will be. Cinderella is one of the absolute pillars of world folklore, with versions spanning thousands of years across the breadth of Europe and Asia. And there have been Cinderella movies as long as there has been film. The earliest version I found was from 1913 (called, hilariously “A Modern Cinderella”). Cinderella has been played by everyone from Julie Andrews to Brandy to Betty Boop to Jerry Lewis. It’s a timeless story that’s remained popular despite decades of bad, pseudo-feminist critique (the story is not, and never has been, about marrying a prince. It is, and always has been, about escaping poverty and domestic slavery). So, whatever, I say. Disney want to make another Cinderella movie? Fine.

I am willing to acknowledge this movie’s right to exist, Disney. All you gotta do is make a good movie.

