Far back in the mists of time I named Marvel’s 2006 series Civil War as one of my all time favourite comics which was proof enough for many of you that I was a fool and a scoundrel whose opinion on comics wasn’t worth a soiled back issue of Youngblood. It’s a controversial story, no doubt, and while I probably wouldn’t keep it on my Top Ten list if I was to do another, I stand by what I said about it before. It was a new kind of comic event, one where right and wrong wasn’t clear cut and black and white and which had a real, lasting effect on the status quo. Comics are a very conservative medium. Sooner or later, everything goes back to how it was before. No one stays dead, the bad guys always lose, the good guys aways win. In a word, they’re safe. Mark Millar, who wrote Civil War, has been accused of many things over the course of his career…
…but being safe has never been one of them.
The story kicks off with a young superhero team called the New Warriors trying to catch a group of supervillains as part of their reality TV show (hey 2o06, how ya been?). Turns out one of the supervillains is a dude called Nitro whose power is that he explodes. Which he does, killing most of the Warriors as well as a nearby school. “The Stamford Massacre” causes a massive sea change in American public opinion and swift legislative action from the federal government in exactly the same way that real life school massacres don’t. The superhero community is given an ultimatum: Either give up their secret identities, submit to training and register and work as a paid employee of the US government or give up being a superhero. This splits the superhero community right down the middle. Iron Man supports registration, seeing as any alternative would likely be much more draconian. But Captain America sees it as massive government overreach, like if the only way you could intervene in a mugging was if you were a cop. So right there we have a conflict that’s really fascinating and multi-faceted. Both sides have perfectly valid concerns and points of view. Personal liberty versus the greater good. The desire for security versus the rights of the individual. Heady stuff. Aaaand then Mark Millar kinda turned Tony Stark into a Nazi because it was a Marvel event and SOMEBODY has to turn into a Nazi in these things.
I love Civil War…
Let me clarify that, I love Civil War the comic, but it’s got big problems, the most glaring being that it undermines its own unique premise by having the pro-reg side resort to increasingly extreme and amoral methods and making Iron Man and Mr Fantastic into outright villains. But there’s more good than bad and I think its reputation has risen quite a but in the years since it was published, not least because virtually all the events Marvel has done since form an elegant, unbroken chain of perfectly formed turds.
In the MCU, the Captain America series was the natural home for a movie version of the Civil War story, especially since Winter Soldier had already touched on its themes of government overreach and the War on Terror’s intrusion on personal privacy and liberty. Winter Soldier was a high-watermark for Marvel critically, and with the Russo brothers back directing, the writing team of Christopher Markus and Stephen McFeely (both previous Cap movies and Agent Carter) and Chris Evans returning to sling the shield you’d think that Cap 3 would be about a safe a bet as a movie could be. But it nearly all went terribly, terribly wrong thanks to Marvel’s other civil war which was just now coming to a head. The head of Marvel studios, Kevin Feige, had been butting heads since the start of the MCU with the CEO of Marvel comics, Ike Perlmutter.
Perlmutter is, by all accounts, about as pleasant to deal with as a scorpion in your anal cavity. Miserly to a Scroogian degree and a rather nasty racist (if you ever wondered why Don Cheadle was chosen to replace Terrence Howard it’s because Perlmutter thought they looked exactly the same. Yeah.) He’s also an alleged war criminal and I say “alleged” because I don’t want him to sue me. And for no other reason. Things came to a head when Perlmutter told Feige that this Robert Downey Jnr kid was costing too much money and that they should fire him.
Feige went directly to Disney who re-organised Marvel studios so that Perlmutter was completely cut out of all decisions involving Marvel’s films. And so Perlmutter was defeated and left with nothing but his incredibly lucrative job, his billions of dollars and the immense power that comes with being part of Donald Trump’s inner circle (come one, you knew this guy was friends with Trump as soon as I described him). It’s probably just a coincidence that Marvel’s notoriously racist CEO was kicked off the film lot right before Marvel released “the blackest Marvel movie ever” but it’s pretty sweet nonetheless. But is the movie? Let’s take a look.