This review was requested by patron Allison. If you’d like me to review a movie, please consider supporting my Patreon.
Way back in the before times I reviewed Ralph Bakshi’s The Lord of the Rings, an important step on my journey to realising that Ralph Bakshi is a pretty terrible filmmaker, his importance in the animated canon notwithstanding. Well, Bakshi’s Lord of the Rings (BLOTR, henceforth) was originally intended as part one of a two part series but United Artists never actually got around to making the sequel, despite the first movie turning quite a tidy profit. So Rankin-Bass, proud purveyors of “good enuff” animation, bought up the rights to Return of the King. Rankin-Bass had previously done a made-for-TV version of The Hobbit (which I haven’t seen but have it on good authority is good enuff) and together with that movie and BLOTR they form a kind of loose trilogy, albeit the kind of trilogy with wildly different animation styles, voice actors and plots that only have a tenuous narrative continuity. Still, if you were living in a pre-Peter Jackson world and didn’t want to have to sit through three chapters of Tom Bombadil humble-bragging about how hot his girlfriend is, it did the trick.