Back in the thirties, they laughed when Walt Disney said that he was going to make a feature length animated film. “Oh, how quaint” the fat studio execs chortled through solid walls of cigar smoke as they sat stewing in their leather-bound rooms “The little cartoon man thinks he can make movies”.
The little cartoon man then proceeded to make Snow White, one of the most successful movies of all time. Then, a decade later, Disney announced that he was branching out into live action movies.
“Oh how quaint” the fat studio execs chortled through solid walls of cigar smoke as they sat stewing in their leather-bound rooms “The little animated feature man thinks he can make movies with real people”.
At which point Disney fixed them with a steely glare and said “Okay, just for that? I’m going to own you. All of you. It may take decades but I now dedicate my every waking moment to ensuring that one day, everything you own will belong to me. Every movie you’ve ever made, every studio, every piece of merchandise, every character. You sneeze, I will own the dirty hankie. Every red cent you ever earn will one day BELONG TO WALTER ELIAS DISNEY SO I SWEAR ON THE OLD GODS AND THE NEW.”
And they chortled at that because some motherfuckers never learn, do they?
An important step on Disney’s path to total global conquest were their live action films of the 1950s. These were usually classic tales of derring do from literature dressed up real nice with a few catchy songs. Probably the best remembered film of this era was 20,000 Leagues Under the Sea, based on Jules Verne’s staggeringly prophetic novel about how big an impact submarines were going to have on all our lives.
Leagues marked something of a watershed moment for Disney’s live-action fare as it was the first Disney film to get a really top-tier cast with household names like Kirk Douglas, Peter Lorre and James Mason. In fact, even though Disney had already made several fairly successful live action movies at this point, Kirk Douglas needed quite a bit of coaxing, with his part being substantially altered at his request.
“Okay, so Ned Land should be introduced with two hotties on either arm.”
“And he has to win every fight he’s in!”
“And everytime he’s not onscreen, everyone should be wandering around going “Where’s Ned? Where’s Ned?”
“And I want my son to play Ant-Man!”
“That is a WEIRD ask, but okay.”
As director, Walt hired director Richard Fleischer, much to Fleishcer’s surprise as he was the son of Max Fleischer, Disney’s long-time rival.
“Don’t you hate him?”
“Richard my boy, I keep my friends close, my enemies closer and the people my enemies care about in the same building where I work. Under armed guard.”
“Ah. So. Am I a director or a hostage?”
“The job calls for you to fill several roles.”