Early Dreamworks was an odd beast wasn’t it? I mean, let’s look at their first five movies. You had the worse version of the worst early Pixar movie starring Woody Allen which was a selling point in 1998. They then followed that up with the SINGLE MOST BEAUTIFUL TRADITIONALLY ANIMATED MOVIE EVER MADE BY A NORTH AMERICAN STUDIO FIGHT ME. After that was Road to Eldorado which we’re reviewing today and then a Claymation remake of the Great Escape with chickens. And then you had something called Shrek. I have no idea what Shrek is, but apparently it was a big deal at the time. Shrek. What is that? Sounds like a Care Bears villain from the eighties.
“Good work gang! We stopped Shrek from stealing the happy crystals!”
“Grrr, I’ll get you next time you meddling bears, or my name’s not Shrek!”.
Sorry, where was I? Right, the wildly inconsistent early lineup of Dreamworks. And here’s the thing, I know I rag on Dreamworks a lot, but today I want to rag on us. I think we failed Dreamworks. I think we messed up. Dreamworks was like a little boy who came home from school one day and said “Look! I wrote a concerto!” and we were all “You idiot! You’ll never amount to anything writing concertos!” and the next day he came home and said “Today I sold some meth!” and we were all “That’s our boy! You keep selling that meth!”.
The kid had talent. The kid had potential. But we encouraged the wrong behaviour and now we have a meth dealer. Yay us.
HOW IS THERE A POSTER ALREADY?
And here’s the thing. We’re still doing it. We’re still rewarding bad behaviour and punishing good work. There’s a growing consensus among movie critics that sites like Rotten Tomatoes are a cancer on the craft. I’d never really bought into that until I casually checked Road to Eldorado’s RT score for this review.
FUCK YOU ROTTEN TOMATOES. YOU DIE IN A FIRE AND WAKE UP IN A GODLESS VOID.
I know, I know, everything’s subjective and everyone’s entitled to their own opinion but COME ON. This is Road to Eldorado people! ROAD TO ELDORADO. RTED. I’m starting to think I’m the only one who understands the significance of that!
The film was originally conceived by Jeffrey Katzenberg, a man who specialises in films that make you go “Hmmmmmm…”
As in:
Hmmm
Hmmmmmmmm
HMMMMMMMMMMM
HMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM.
So stop me if you’ve heard this story. An animation studio plans a big, epic drama set in a reimagined Incan civilization. A big time rock star is brought on to write the songs. But then, oh noes! The studio decides to go in a radically different direction and turn the whole thing into a comedy, the story has to be reworked from scratch, directors come and go like Trumpian wives and everyone involved has a thoroughly miserable time. That’s right, Katzenberg was so dedicated to ripping off Emperor’s New Groove that he even ripped off its troubled production history.
Now THAT’s commitment.
I kid, I kid. Seriously though, the production was a hot mess and the first director, Will Finn (an animator with a “holy shit” list of credits that includes NIMH and the entire Disney Renaissance) talks about the movie the way Ahab talks about the white whale, as an eternal nemesis who took something from him he’ll never get back. Also, he doesn’t think it’s a good movie. Which brings me back to my earlier point.
BECAUSE IT’S ROAD TO FRICKITY FRUCKING EL DORADO.
Let’s do this.
unshavedmouse 