Long Reads

The Hangman’s Daughter- Chapter 10

CHAPTER 10: THE SHADE

She lay there in the mud for a few minutes, not quite sure if she had gone mad. After all, she had seen some incredible things when she had had the fever. But the figure in front of her was real. She was seeing it before her eyes, not in her head. Slowly, she clambered to her feet, rivers of muddy water running off her now thoroughly soiled white night-dress. She took five steps, and stood at the right hand side of the figure. From where she was, she could just about see the tip of an elegant chin, the end of a nose, but everything else hidden by the folds of the hood.
“Hello.” said Marie quietly.
The figure started, and Marie realised that she had taken him by surprise. If this person was what she thought he was, then how was that possible?

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Disney Reviews the Unshaved Mouse #49: The Princess and the Frog

(DISCLAIMER: This blog is not for profit. All images and footage used below are property of their respective companies unless stated otherwise. I do not claim ownership of this material. New to the blog? Start at the start with Snow White.)

God I hate when this happens.

See, here’s the thing. I already knew what I was going to say about Princess and the Frog months ago. I had my arguments prepared, I’d done my research, the only thing remaining to do was to sit down and watch it again before actually writing the review. And then, of course, my opinion of the movie changed pretty substantially and now I’m back to square one. Alright, a lot of you have been asking me my opinion on the Princess and the Frog, and until very, very recently it was this:

Don’t like it. Hugely disappointing. Major flaws. Disney screwed the pooch. To get traditional animation back in contention they needed a perfect ten and we got a five. Mouse not happy.

But then…yeah, I watched it again and it’s safe to say that my opinion has mellowed quite a bit. Not totally. The problems I thought were there are still there. What problems you ask? Three are the problems, and the number of the problems is three.

Tiana

You know, given Disney’s sterling record of diversity it’s kind of amazing that it’s taken this long for us to have an African American princess.

“Ha! Good one!”

I’m actually not being sarcastic. Think about it, since Little Mermaid in 1987, of the seventeen canon movies featuring humans we’ve had Arab protaganoists, Asian protagonists, Native American protagonists, gypsy protagonists, Hawaiian protagonists, Mayan protagonists and even that most reviled and loathed of all minorities…

belle-and-the-beast-in-beauty-and-the-beast-disney-couples-25378817-1280-720

The French.

So, why has it taken them this long? Well, seeing as you’re on the internet you probably aren’t aware of this, but race can be something of a sticky wicket. By which I mean, Disney knew that if they fucked up on this they would be eaten alive so it’s probably not surprising that they took this one nice and slow. And, in my opinion at least, they succeeded. There is nothing problematic about the character of Tiana. She is as positive and progressive a depiction of an African American woman as you could hope to find. On a possibly not unrelated note, she is also really, really, really, really, really boring. Who do I blame for that? The writers? The animators? Voice actor Anika Noni Rose? No. At the risk of being unpopular, I place the blame solely on…

Yes you, people on the internet.

This movie came under an insane amount of scrutiny long, long, before it was even released, with Disney making many changes in response to every new backlash and charge of racism. Now, some of the criticism may have been fair, but honestly some of it just strikes me as petty. For example, the heroine’s name was originally “Maddy” which was changed to Tiana because “Maddy” rhymes with “Mammy”. So, yeah, I know right? Wasn’t that a bullet narrowly dodged? Now I, for one, was unaware that names that happen coincidentally to rhyme with racist slurs are racist by association but I’ll certainly keep that in mind in fut…OH MY GOD!!!

GET HIM THE FUCK OUTTA HERE!!!!

So, it’s understandable that the script for this thing feels like it was written by someone walking on eggshells. And yes, obviously writers have to treat the issue of race carefully and with sensitivity, but I think a certain degree of good faith is required on behalf of the audience as well. It’s just the problem with living in a world where any blowhard can get on his virtual soap box and complain about a movie that hasn’t even been released yet and why are you all looking at me like that? But there is another problem with Tiana that goes beyond all of that. Alright, the simplest, most basic story you can tell goes like this. Character A (the protagonist), wants something, and we want to see him get that thing. Character B (the antagonist) wants something that is mutually exclusive to what character A wants, and we don’t want to see him get that. The characters struggle against each other, and from this we get conflict, drama and finally resolution. Now, you can alter and flip and rearrange and deconstruct or just flat out ignore this model in literally an infinite number of different ways but most of the time that’s what it boils down to. The central conflict is the heart of the story. And Tiana exists almost entirely outside the central conflict. She’s essentially an onlooker in her own story. The conflict is between Naveen and Facilier. You could conceivably have a movie just about those two. What is the relationship between Tiana and Facilier? What’s the personal stake? As the old lady once said, where’s the beef?

The Script

Not bad, but really needed to be funnier. And from Clements and Musker we had a right to expect better.

Randy Goddamn Newman

Fine in small doses, don’t get me wrong. But to write a musical you need versatility almost as much as you need raw songwriting talent. Your songs need to be versatile enough to convey an entire emotional spectrum and Newman just can’t do that. There’s an unmistakeable saminess to his songs that make them less emotional beats in the story set to music, and more mere musical intervals (with the exception of Friends on the Other Side, which is awesome.) This is the single biggest problem with the movie in my opinion. There’s enough good in the rest of the movie that a Howard Ashman or Sherman Brothers or Kristen Anderson Lopez could have lifted this up to the realm of the all-time greats.

Well okay, enough about what they got wrong. Let’s take a look at what they got right.

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Mighty Morphin Power Rangers: The Movie (1995)

“Man, I’m beat. That list of the 25 most punchable Disney sidekicks took a lot longer than I thought. I think I’ll just relax with some internet browsing. Just log on to www.fishfistingandfuckingforfun.com…”

“What ya doin’?”

“Aaaaaah!”

“Aaaah!”

“Wait a minute, I know you! You’re Baby Mouse, the mental projection of my inner child.”

“And a clunky, exposition-filled “hello” to you too.”

“What are you doing back? I thought you’d returned to the deepest recesses of my psyche?”

“Hate to break it to you dude, but after all the messing around Disney and the Horned King did to your brain, escaping the deepest recesses of your psyche is about as difficult as busting out of Arkham.”

“Well what do you want?”

“I’m bored, I want to watch another movie.”

“Okay fine, which one?”

“No! No, no, no. I’m putting my foot down. Not only is it terrible, it’s not even an animated movie. It’s cartoon’s only on this blog, buster.”

“Oh c’mon! It’s the BEST MOVE EVER!”

“That’s what you said about Transformers!”

“I may have been overly hasty in my appraisal. I’m impetuous, it’s part of my charm. Now review the movie before I start telling people about all your weird fetishes.”

“Okay! Okay! Be cool!”

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An open letter to Ireland: Dear whiny bitches…

Dear Whiny Bitches,

How’ve you been? I am good. Let’s talk about that recent survey. You know the one? Recently something called the Good Country Index released a survey stating that Ireland was the “best” country in the world. Now, there’s a been a lot of confusion on this so first of all let’s just clarify that the survey was not necessarily the best place in the world to live, the survey was actually trying to measure which countries contribute most to the welfare of humanity (in stuff like global aid, peace-keeping, diplomacy, fighting climate change and so on) and which countries are dragging everyone else down. Now, I’ll admit I was surprised that we got the number one spot, not stunned, but surprised. But sure, we do give a lot of money to overseas aid and we’ve been involved in UN Peacekeeping missions since the early sixties so fine, okay, I don’t think we’re a crazy choice. Let’s talk about crazy, though.

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The Hangman’s Daughter-Chapter 8

CHAPTER 8: THE BATTLE OF THE STONE BRIDGE

There was a great yellow moon sewn into the black and grey fabric of the night sky and the path ahead of the two men was a golden thread, leading them home.
“I hear there was a murder.”
“Yes.” Luke replied “Our magistrate.”
“I’m sure you’re all distraught.” said the youth tonelessly.
Luke did not reply, not wishing to lie, but not wishing to show disrespect for the dead.
“Did they catch the murderer?” and again the words were passionless.
“No.”
“Do you think they will?”
“I don’t know.”
The youth snorted at this, as if it amused him.

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Disney Reviews with the Unshaved Mouse #48: Bolt

You know what’s weird? In Irish, there’s no word for “Yes” or “No”.

You know what else is weird? If you ask someone to imagine “a Disney movie” they automatically think of a Princess movie, something like the world of Giselle in Enchanted. But the Princess movies only make up a small fraction of the canon, 10 movies out of 52. Whereas the talking animal movies comprise a staggering twenty four movies depending on how you count them (Pinocchio, no, the two Winnie the Poohs, yes for our purposes here). So why is it that the Princess movies have such an outsized influence on how the rest of the canon is seen? Well, for whatever reason, it’s the Princess movies that seem to do really well. Snow White, Cinderella, Sleeping Beauty, Little Mermaid, Beauty and the Beast, Aladdin, Mulan, Tangled, Frozen, all really, really huge hits. And even Pocahontas and Princess and the Frog were not exactly slouches at the box-office. The talking animal movies, by comparison, tend to perform more modestly. Oh, you’ll get the occasional big hit (Lady and the Tramp, 101 Dalmatians, Jungle Book, The Rescuers and oh yeah, The Lion King) but mostly it feels like their role is to just keep things ticking over until the next Princess movie comes along. And that’s just not right, dammit. Disney have done some if their very best work in this sub-genre. Take today’s movie for example, Bolt, which was released in 2008 and…

Oh my God.

Oh my God, this thing was released in 2008. Obama had been elected by the time this thing came out. I was on Facebook. I was in my current job. I remember this thing coming out as a recent event in my life. It’s just…wow. When I started this blog I was making jokes about Hitler and the Second World War (that came out wrong). I mean, it’s really all coming to an end, isn’t it? Finish line’s in sight.

Ahem. Anyway.

It’s possible to think of Chicken Little, Meet the Robinsons and Bolt as a trilogy of the “Pixarification” of Disney. Chicken Little is Disney, trying to be Pixar, Meet the Robinsons is Disney on its way to becoming Pixar and Bolt is basically Pixar. It was produced by John Lasseter and it looks, feels and runs like a Pixar movie. Seriously, they could have slapped a Pixar logo on this and no one would have known the difference. But what kind of Pixar movie is it? Are we talking Toy Story 3? Or are we talking Cars?

Let’s take a look.

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The Hangman’s Daughter- Chapter 7

CHAPTER 7: Cain the Farmer

“Bernadette, can I tell you a secret?”

“A good secret?”

“No.”

The two were sitting alone on the wall where the thief had passed by four years ago on his way to his appointment with Marie’s father.

They were sitting shoulder to shoulder, Marie’s red hair mingling with Bernadette’s blonde, something now possible since Bernadette and her odour had parted company some years back.

“So what’s the secret?” said Bernadette.

“I think I’m evil.” said Marie quietly.

“Really.” said Bernadette “What’d you do?”

“Do you remember when they told us that Monsieur Nogaret was dead?”

“Yes.”

“When I found out, I was glad. I was happy he was dead.”

“Were you happy he was stabbed?”

“What?” said Marie, surprised by the question.

“Well, I just want to know how bad it was. I mean, being happy someone is dead is one thing. Being happy that someone broke into their house and cut them up and turned all the walls red and made it so they still haven’t cleaned it up and it’s probably going to be haunted forever…“

“That’s what happened?”

“You didn’t know?”

“No, I just heard he died!”

“So, how do you feel now that you know how he died?”

“I dunno. Kind of bad, I suppose.”

“Well, there you go. Not so evil.”

There was a brief pause. Bernadette kicked air.

“So why were you happy when you heard?”

“I hated him.”

“Why?”

Marie kicked herself mentally and realised that she had talked herself into a corner. To tell Bernadette about her encounter with Nogaret all those years ago she would have to explain why Nogaret had visited her father’s house. Then she would have to explain why her father was in Nogaret’s employment and not only would her father’s identity be exposed and his life at risk, but she would be exhausted from more explaining than any human being should have to endure. This would take some brilliant excuse, something to completely throw Bernadette off the scent.

“Just did.”

“Okay.”

Disaster narrowly averted.

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The Transformers: The Movie (1986)

“So that’s why I’ve decided I should go back into therapy. I’m just worried that, what with my last psychiatrist turning out to be an immortal Lich King who tried to trap me in a hell dimension for all time…”

“Your trust was betrayed. And now you worry that you may not be able to trust anyone again.”

“Exactly.”

“Mouse, if I am to help you, you must feel comfortable in opening up to me. Only then can we overcome your issues and help you reach your true potential.”

“My true potential?”

“Yes. You should be killing people. Like, all the time.”

“Huh. Well, I did feed a friend of mine to a shark two weeks ago.”

"Excellent, then we are already on the road to recovery. But first we must deal with your trust issues. I am going to hypnotise you now."

“Excellent, then we are already on the road to recovery. But first we must deal with your trust issues. I am going to hypnotize you now.”

“Okay.”

“Listen to my voice. I am going to reactivate memories that have long since lain dormant. We are going to put you in touch with your inner child.”

“What the…what’s happening?”

“Hey, where am I?”

“What the…who are you?”

“He’s not really here Mouse. He is a psychological projection of you when you were a child.”

“Wow. I got REAL fat.”

“Ah yes. I forgot. I was a real charmer. What exactly am I supposed to do with him?”

“Spend time together. Reconnect. Try and recover the trust and innocence that you once had, and then we’ll be killing people together in no time.”

“Fine. What you want to do?”

“What do you normally do?”

“Honestly, I spend most of my time watching cartoons and then making stupid jokes about them.”

"So…you haven’t actually changed in twenty five years?"

“So…you haven’t actually changed in twenty three years?”

“Well I don’t wet the bed anymore. You want to watch cartoons or not?”

“Okay. Oh! Oh! That one!”

“What? No. It’s AWFUL.”

“Nuh-uh! It’s the BEST MOVIE EVER!”

“Kid, look, I know you have a lot of fond memories of this but, trust me, as someone who reviews animated movies for a living…”

“Really? You get paid to do this?”

“…Fine, let’s watch the movie.”

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The Hangman’s Daughter: Chapter 6

CHAPTER 6: THE CURIOUS DEATH OF MONSIEUR NOGARET

Months passed, and the small village of St Anne draped itself in the yellow of summer, the orange of autumn, the white of winter and the green of the new spring like a child trying on her mother’s dresses and then discarding them as she loses interest. Little changed in the village. News of the war with the English came in peaks and troughs. One day a terrible defeat, destruction imminent, the next a glorious victory, London in three weeks. But this distant war did not even cause the slightest real ripple in the still lake that was St Anne. Of notable events perhaps the greatest was the death of Doctor Toureil’s wife. The woman who he had so often berated, teased and insulted, had in her last days watched her husband work like a scourged slave to save her, toiling with bottles and jars, resorting to ever more outlandish and bizarre cures to halt the disease that he knew had no interest in ceasing its rampage through her body.

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Unshaved Mouse and Erik Copper review: Enchanted

UM: Hello ladies and gentlemen and welcome to Unshaved Mouse, with me tonight is my lovely assitant Erik Copper, say hi to the nice folks Erik.

EC: Hi to the nice folks, Erik!

UM: Alright, listen buster, you want a corny joke war you got a corny joke war.

EC: Oh, trust me, good sir, I am more than proficient in the art of the corny joke. How do the folks over seas say it? “You don’t want nunna this?”

UM: They do say that. In England. Which, for me, is also overseas.

EC: Ah, yes. “The pond” as I heard it once called. Anyway, there are people reading this post, and I’m sure they heard enough of your corny jokes from the past 47 reviews. Ohhhh! And that is what we Americans call a “sick burn”.

UM: Yes. There are people reading this. Because it is my blog. Key difference. In Ireland, that is what we call “sruthán tinn.”

EC: You’ll have to excuse me. I do not speak–

UM: Don’t say Gaelic. Don’t say Gaelic. I warn you. Do not say Gaelic.

EC: “Paddy-talk.”

UM: Much better. So, before we incite an international incident., how about we talk about Enchanted?

EC: Well…From last week’s “next week” preview, I have a feeling your thoughts of this movie might already incite an international incident. I hear you do not like this film?

UM: Ah….okay, I may have overstated the case. No, I didn’t. I hate this movie. But I recognise that it’s not bad, and that there’s a lot of good in it. But, I think it’s kind of mediocre and phoned in and really overrated. It’s like American History X for me.

EC: But isn’t that part of the charm? It’s supposed to be a parody/deconstruction of the Disney princess motif. And in that respect, I think it does it’s job really well. Showing that the Disney “magic” doesn’t really exist outside of film kind of makes the charm all the more endearing.

UM: Well, firstly I don’t think it does it WELL, I think it does it like…competently. Like, it starts with the premise of letting a Disney princess loose in modern day New York, gets the most obvious jokes it can out of it (and don’t get me wrong, just because they’re obvious doesn’t mean they’re not funny), but it never really goes beyond that. It does everything you expect with the concept and not a jot more. And it’s not that noticeable because Amy Adams and James Marsden are giving it so much energy. I mean, they are both really, really appealing in this. That’s why I likened it to American History X, a mediocre movie that people think is great because it has a really good lead performance. Also, it’s about white supremacy.

EC: I’ve never seen American History X, but that description makes me think I might have a Song of the South reaction to the film. While I do see the side of your argument (and believe me, this movie seems to have more sides than an octagon) I think the point of the movie isn’t to give more than what it did. If you think about it, the film’s concept isn’t really all that broad. “Fairy tale in New York” (No, Pogue’s fans, go away). That’s a theme you can’t do much with, because fairy tales are so confined to a certain kind of feel, and real life contrasts with it so much. I think what the movie did with what it had made it a better film than you’re giving it credit for.

UM: “It’s Christmas Eve Baaaaaaaaabe….in the drunk taaaaaaaaank!” I’m sorry, did you say something?

EC: Goddammit, I’ve lost the Mouse. After I fetch a cat to try and wake him up (fear is often the best medicine, I find), we’ll start the actual review.