writing

A Little Bit of Curry: Over the Garden Wall (2014)

And so we come to the end of Shortstember 2026 and we close out with a Tim Curry performance that we’ve actually already covered on the blog; his voicing of Aunty Whispers in 2014s Over the Garden Wall.

This role, obviously, has historic significance as it was Curry’s first role after his near fatal stroke in 2012. And, on the one hand it is definitely noticeable. Curry’s delivery has utterly changed and if you didn’t know it was him voicing the character you probably would never guess. All the more incredible then that we have yet another case of Grand Theft Curry, with Curry managing to be quite possibly the best element in the entire production, a production that absolutely bursting at the seams with fantastic actors giving fantastic performances.

Curry’s new voice, slower and weary sounding, perfectly brings to life the massive turtle-eating witch who may not be wicked exactly but has certainly found a way to turn this whole “girl lodger possessed by a man-eating demon” situation to her advantage.

What I find so heart-breakingly wonderful is that you can still hear the performance of a man who absolutely loves acting and who is having the time of his life. He knows how to wring just the right amount of camp menace out of each line. There is a wonderful sense of play with his deliver of “And no one shall be…devoured, tonight?”

He is relishing this role, as he relished every single role that ever crossed his agent’s desk.

I didn’t know Tim Curry and it’s always important to remember that, no matter how big a presence in our lives an actor has you never really know them. All I can give you is the impression that his work left me with.

That this was a man who loved his life. I cannot imagine Tim Curry getting up in the morning and saying “fuck, I have to act today”. This, I think, was a man who got to spend his life doing something that made him happy.

Good for him.

New Podcast Episode and Shortstember 2026

Hello friends. Sorry. I realise this has probably been my worst year for posting since I started this blog. Book stuff and personal stuff (also I am technically without internet at the moment and am trying to get this down before my phone explodes). Hopefully things will eventually calm down and I can get back to some kind of regular schedule.

Anyway, I have two pieces of news. Firstly, the new episode of Now That’s What I Call Nostalgia is now up where we discuss Bravestarr, a much beloved cult classic from the eighties. Well, I say “we discuss”. It’s more Aoife and Esther being held hostage as a I deliver a half hour monologue on the history of Filmation Studios.

Secondly, I think I speak for everyone when I say August 2026 can suck a big one. And while the deaths of Dolly Parton and Peter Cullen hit hard, I have to say that for me Tim Curry was the real kick in the goolies. I may have mentioned this before, but for many years I was actually Frank N Furter in the Dublin Rocky Horror Picture show. I spent many a happy evening lip-synching Curry’s voice in fishnets before a crowd of merry Dublin perverts (never could learn the lyrics to “I’m Going Home” so I just used to mime “Never Gonna Give You Up”). I simply mention it because now that image will haunt you forever. It’s what he would have wanted.

He was a fantastically prolific actor who appeared in hundreds of films, TV Shows and computer games and I never saw him give a performance that didn’t seem like he was having the absolute time of his life. But, round these parts, we cover animation and Curry was also one of the most recognisable and successful voice actors of his generation. So, for this year’s Shortsember, without any particular rhyme or reason, we’re going to do a potted history of some of his most memorable voice roles.

We shall begin shortly.

Why I Love Playing: Suzerain

I’ve decided to start a new little mini-series here where I talk about games that I really love and try to explain why they work for me and (maybe) give some attention to titles that I think deserve more love.

One of these is definitely Suzerain which is by no means unknown but, I feel, is probably more niche. So what is this game and why do I love it?

Suzerain is a 2020 political simulator from German publisher Torpor Games, available on Nintendo Switch, Mac, Android, iOS and Windows. You play Anton Rayne, the fourth president of the fictional nation of Sordland in the equally fictional continent of Merkopa. After a choose-your-own-way recounting of your early life which functions as a character creation session you get to choose Anton’s socio-economic and political background. The game takes you from his election to president to the end of his first term, with you facing various political crises and scandals while you try to shape the country to your own political ideology.

Suzerain teaches you very, very quickly that politics is hard, messy and often deeply morally compromised. On my first play through I just tried to rule according to my conscience, funding health and education, avoiding military conflicts, pouring money into welfare, trying to reform the constitution and advancing the rights of women and ethnic minorities.

President Rayne’s first term ended with him strapped into an electric chair and the bastards didn’t even wet the sponge.

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Moomins on the Riviera (2014)

The Moomins are a topic that I feel I understand less the more I try to get my head around them. I tackled another Moomin film, Moomin and Midsummer Madness, around ten years ago so I should have been ready for this. And yet, here I am, looking at this film all…

A brief refresher, the Moomins are a multimedia franchise created by Finnish author Tove Jansson that encompasses picture books, novels, short stories, TV shows, movies, theme parks and a comic strip written and illustrated by Jansson herself. The comic strip that inspired today’s film, Moomins on the Riviera, began in 1954 and ran until 1975. This was actually the second Moomins comic strip, the first having appeared in a left wing newspaper but which failed because the readership considered the Moomins to be “too bourgeois”, because even in the late forties there were people who needed to touch some fucking grass.

So what’s it all about?

The series features things called Moomins doing stuff.

I can’t really get more specific than that.

Sometimes they don’t do stuff. Sometimes they just chill.
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