Day 3

So after two days of glorious sunshine Alaska said “Hope you enjoyed that. NOW DROWN.”

It rained pretty much nonstop. Fortunately, I’m Irish and this is my natural enviroment. Today was my one to one Monologue workshop with Laura Gardener and it was amazing. By the end of it my monologue had gone through a complete change of tone, accent, delivery but it felt like a conpletely natural evolution.

After that was The Insurance Play’s reading.

Play readings are a weird experience. You’re reading from a script that’s in front of you on a music stand (a drama stand?) but you’re trying to act and make eye contact with the other actors while not losing your place in the middle of a dramatic monologue. It’s tricky.

As I already said, the play is a belter and I think we did it justice.

Every evening there is a full staged production of a play and tonight’s was “You are the Blood” by Ashley Rose Wellman (who wrote my monologue) which may well be the best play I’ve seen in years. It’s about the daughter of a serial killer who makes friends with the woman who wants to marry her still incarcerated father. It’s hilarious, and chilling and heartbreaking and perfect and I was watching it like this:

Gracia, signore.

Day 2

Alaska has changed me.

I have become someone who gets up at 6 AM.

WILLINGLY.

I can only hope that any further changes will be less drastic, like turning into a wolf and feeding on the flesh of the living.

Speaking of breakfast.

Bob and Diane just got added to my will.

Today’s schedule:

So as well as having mt play read I’m also reading for another playwright. I’ve been cast in Tamar Shai Bokvadze’s The Insurance Play as Ryan, a man who buys a cancer patient’s life insurance policy so that he gets paid out when she dies and then realises she ain’t dying quick enough. It’s an awesone part to play, a genuinely nice guy who slowly transforms into a complete monster.

Today was our first rehearsal and it all went swimmingly.

I’m also performing a monologue from Ashley Wellman’s “Living Creatures” playing a character who’s essentially death, telling a woman why she can’t take her dead child back to the world of the living. So I’m attending a monologue workshop run by actors Laura Gardner and Frank Collison, who are terrifying in the way that all incredibly talented people are. So I’m sitting there watching incredibly talented actors perform their monologues word perfectly and becoming more and aware that I’m a massive imposter and I do not have this thing learned off. Not close.

Finally I got up and stage and did the best I could. After a pause Laura looked at me and said gently.

“Now, you know you’re going to have to be word perfect on the night, right?”

“Yes. Sorry.”

“Okay. But that’s a really good start.”

And exhale…

Day 1

I arrived in Valdez (pronounced “Valdeez” not…um…”Valdez”) on Saturday morning and was met by Dawson Moore, the organiser of the conference who very kindly gave me a lift to my B and B.

I’m staying in “A Place on Coho”, which caused some trouble with customs.

“Where will you be staying, sir?”

“A Place on Coho.”

“And what is the place called?”

“A Place on…look, let me just give you the PO Box number.”

It’s a beautiful place run by Bob and Diane Gibb. Bob met me at the door and patiently explained that my room wasn’t ready yet because, you know, it was SEVEN AM.

I apologised to Bob, explaining that I had become dislocated from the space time continuum and that time no longer held any meaning for me.

I also told him I could phase through walls if he would like to see?

Bob very kindly asked me to come back in a few hours (better man than me) so I decided to explore Valdez.

Valdez is like Helena Bonham Carter, beautiful and weird.

It has a different feel from anywhere I’ve ever been. It’s incredibly quiet. It’s amazing to stand in the middle of a town of three thousand people and still be able to hear waterfalls in the distance. In Dublin everything is clustered closely together but here there is just so much SPACE. The roads are huge, the cars are all big four wheeled drives and there are no traffic lights. I assume the thinking is that because the roads are so wide and you can see for miles in all directions, if you get hit by a car you deserved it. Then there are the rabbits.

They are everywhere and I suspect they are secretly running this town.

I’ve learned that this is actually the second Valdez, the first having been devastated by a massive tsunami in the sixties and rebuilt by the Army Corps of engineers on a safer location. For this reason a lot of the civic buildings like the government offices and the high school (GO HUSKIES!) are rather utilitarian prefabs. But the houses are all incredibly unique, with no two looking alike.

It really looks and feels like nowhere else.

I got good and lost, contemplated going on a nature trail, saw the sign instructing me what to do if I encountered a bear, decided walks are lame anyeay, demolished a steak breakfast at The Fat Mermaid and returned to the B and B where my bed was now ready and waiting.

I am not too proud to admit I wept.

I was supposed to register for the conference and maybe see a show but instead I slept twenty hours.

Whaddya gonna do?

Flight 4: Achorage to Valdez

Look at this thing.

That’s the kind of plane you expect to be flown by a wisecracking mercenary with a heart of gold who only accepts payment in treasure maps.

Length: 40 minutes.

Food eaten: Nowt.

Movies watched: No seriously, look at this thing.

Movies? I’m lucky this thing had SEATS.

Mouse almost fucked up by: Caloo calay! Mouse actually flew like an adult this time!

Dawn was breaking as we flew into Valdez and I actually got to see Alaska up close. It’s like flying to Olympus.

God damn.

Flight 3: Chicago to Anchorage

Length: Five and a half hours.

Movies watched: None! No movies! What are we, animals? (Rhetorical question).

Mouse almost fucked up by: Collecting only one of the two boarding passes needed.

Fun fact: I am now nine goddamn hours out of sync with time and I think I cam phase through walls.

This was my favourite flight so far, we were so high you could see the curvature of the earth and I couldn’t even tell if the surface below was land sea or cloud. Then we came down low enough to see the mountains.

This is going to be a good trip.

Flight 1: Dublin to Toronto

Length: Seven hours.

Food: Given a choice between pasta and chicken I chose pasta. Last time I had airline chicken it lingered in my stomach like a malign spirit.

Movies watched: The Disaster Artist (more interesting than good), Justice League (bad but they are trying so hard and I can’t help but love it a little) and I, Tonya (just straight up awesome).

Mouse almost fucked up by: Leaving his debit card on a cafe table and nearly crossing the Atlantic without it.

Stray observations:

US customs are sunshine personified as usual.

Toronto seems nice, shame I won’t get to see it.

A dude remarked that no Disney character has two parents just as we touched down. Clearly I arrived in Canada in the nick of time.

Donald Duck in Mathmagic Land (1959)

A thought occurred to me going into this review: I’ve probably written more about Donald Duck than any other cartoon character. Throughout the life of this blog he’s been following me around like a little, white, feathery stalker:

Saludos AmigosMelody TimeFun and Fancy Free, Der Fuehrer’s FaceAdorable Couple, Fantasia 2000, Who Framed Roger Rabbit and of course The Three Caballeros, the movie that turned a regular dime-a-dozen review blog into the seething cauldron of madness it is today.

And I think that speaks to the character’s versatility. Donald’s got layers, man. He can be a skirt-chasing lady’s man, a plucky underdog, a swashbuckling adventurer, a child-like innocent, a scheming trickster, an acerbic straight-man, a devoted and loving parent, a hard-ass authoritarian or a cow-murdering psycho killer and it all feels like the same character. He’ll fit into a lot more situations than Goofy, say, while at the same time retaining a distinct personality and never succumbing to samey genericness like Mickey. That probably explains why he’s the hardest working cartoon character around, he can do it all. Even teaching kids about maths.

“You mean “math”.”

“I mean SHUT YOUR BURGER HOLE YANKEE PIG DOG!”

“Wow, that escalated quickly.”

“Hey who are you?”

“Who are you?”

“Who are you?”

“Who’s this new continent, what’s he gonna do?”

“Um…I’m North America? I’ve been here for ages, guys.”

“North America what?”

“Uh…North America the continent?”

“No, no, no, you need a gimmick. Like Gangsta Asia, or Otaku Oceania or Gullible Latin America.”

“I thought I was Handsome Latin America?”

“Of course you are.”

“Oh good.”

“Come my friend, it’s continent makeover time baby!”

“Guys, c’mon, I got a review to do.”

“Yeah. And we’re padding things out to hide the fact that it’s only 28 minutes long, you have no idea how to start this review and you don’t know anything about maths.”

“It’s math.”

“SILENCE YOU EAGLE FONDLING RUNNING JACKAL!”

Which brings me neatly to Donald Duck in Mathmagic Land.

“Smooooth…”

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“Have you tried not being a mutant?”

When X-Men was released in the summer of 2000 on a modest $75 million budget, it had the highest opening weekend for a superhero film, surpassing even Batman: Forever despite its complete absence of Jim Carey in green tights or Tommy Lee Jones hating everything and everyone.

“You fucking people.”

So the folks at Fox backed a crazy hunch superhero movies might be a big deal in the 21st century and immediately greenlit X2, a title chosen tboth to appeal America’s hardcore algebra fans and to keep signage costs to a minimum.

The script this go round was to be written by Zak Penn and David Hayter…

“David Hayter?”

Yes. David Hayter, who is perhaps most famous for voicing Solid Snake in the Metal Gear

“Metal Gear?!”

“NOW CUT THAT OUT!”

Anyway, Penn and Hayter both wrote separate screenplays which were then integrated with the strongest elements from each, which I was very surprised to learn because that would typically be a recipe for a shambling, Frankenstein’s monster of a script whereas here the script is one of the very strongest elements of the whole movie. I mean, it’s not Shakespeare or anything but it is a remarkably well structured piece.

The story largely draws from the 1982 X-Men tale God Loves, Man Kills written by Chris Claremont during that least-discussed era of comics history, the Bronze Age. The Bronze Age is usually dated as having begun with the seminal Death of Gwen Stacey in Spider-Man and saw a new generation of  comic book writers inject a more mature and morally complex outlook into classic comic books. The Bronze Age was, ironically enough, something of a Golden Age with all time classics like Watchmen, Dark Knight Returns, Maus and Killing Joke. Unfortunately, less talented writers took the grittiness and mature themes of those books but left the humanity and artistic merit on the shelf which is how the Dark Age happened.

Shadowhawk. He had AIDS.

But anyway, God Loves, Man Kills is very much a Bronze Age book, that leans hard into the X-Men’s role as a stand in for oppressed minorities while commenting on the rise of televangelism and the burgeoning cultural alliance between political conservatives and religious evangelicals that worked out great for everybody. It’s an extremely well-regarded story and an excellent choice for the X-Men’s sophomore film. And, because everything has to be about Wolverine, there’s also some Weapon X thrown in for seasoning.

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“Piss off ghost!”

Brothers will fight

and kill each other,

sisters’ children

will defile kinship.

It is harsh in the world,

Whoredom rife

—an axe age, a sword age

—shields are riven—

a wind age, a wolf age—

before the world goes headlong.

No man will have

               mercy on another.

               And a vessel built for orgies

               Shall enter the devil’s anus

                                                   Prophecy of the Volva

 

Pity Joss Whedon.

I mean okay, he’s a hugely successful film and TV professional with a devoted fanbase and more money than a fabled king of old so don’t pity him too much but….yeah, squeeze out a tear for the guy.

See, Age of Ultron was an absolute nightmare for Whedon, not least because of Marvel’s insistence that he grind his movie to a halt several times to painstakingly set up the dark, gritty, epic, Thor 3. Ohhhh it was going to be so dark and gritty, you guys. Look! Heimdall’s blind! That’s how dark we’re talking. And there were snakes and dark, gritty, sexy dancing.

What exactly does this have to do with robots destroying the world?

And then Marvel gave the job of helming the movie to Taika Waititi, celebrated fim-maker and Māori god of mischief and trickery and he was all “Hee hee! I shall use none of this! And I have cast a spell on your wife and swopped faces with her, for she is beautiful and I am ugly! Ha ha!” And then he transformed into a bird and flew out the window, leaving Joss Whedon to wonder what the fuck just happened and thinking that maybe making DC movies for Warners wasn’t actually the worst idea in the world.

INCORRECT.

Anyway, the Vikings were a bunch of monastery razing, monk-stabbing, Battle-of-Clontarf-losing assholes but I’ll give them this; they knew how to do series finales. The tales of the Norse gods end with a big, stonking climactic battle where pretty much every major god dies including the really popular ones like Thor, Odin and Loki because the Vikings were not overly concerned with action figure sales. Ragnarok (or Ragnarök when it’s got its little hat on) is the most famous of all these tales, and not surprisingly, the Thor comic has retold it many times over the years, usually when sales are a little slack. And typically, these stories tend to be pretty grim affairs like the sagas they’re based on. And I totally thought that’s where they were going with this movie. Heck, for a long time I bet Marvel thought that’s where they were going with this movie. Everything was set up for it. The Dark World ends with Odin seemingly dead, and Loki secretly ruling Asgard. Age of Ultron seemlessly and organically (hah!) hinted at a desperate Götterdämmerung for Thor and his homies.

We knew what to expect. It was not this.

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